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544 Katerina Gadjeva to a “theatrical illusion” that makes them take a pure fiction as something true and real, allowing an artistically created reference world to manifest itself as real. And this delusion was what the authorities used, having understood well that “the ideal subject of totalitarian rule”, as Hannah Arendt wrote, “is not the convinced Nazi or the convinced Communist, but people for whom the distinction between fact and fiction (i.e., the reality of experience) and the distinction between true and false (i.e., the standards of thought) no longer exist” (Arendt 1962: 474). Sources TsDA 1948. F 310, op. 1, ae 6. TsDA. Llemrpanen appxasex apxus (Central State Archive‘). JTepacaeno cmonancko npednpusmue “Bankanmypucm”, 1948-1965 (‘State Economic Enterprise “Balkanturist”, 1948-1965’). References Arendt H. 1962. The Origins of Totalitarianism. Cleveland: Meridian Books. Bäcs G. 1972. Bulgaria. Budapest: Panorama. Bazin A. 2005. The Ontology of the Photographic Image. In: What is Cinema? vol. 1. Berkeley: University of California Press, pp. 9-16. Berry R. 1963. A Riviera on the Black Sea. Resorts in Bulgaria, vol. 1, p. 28. Beyer E. & Hagemann A. 2013. Sun, Sea, Sand ... and Architecture. How Bulgaria’s Black Sea Cost Was Turned into a Tourist Product. In: M. Zinganel, E. Beyer & A. Hagemann (eds.), Holidays After the Fall. Seaside Architecture and Urbanism in Bulgaria and Croatia. Berlin: Jovis, pp. 57-118. Boev P. 1966. Golden Sands. Sofia: Nauka i izkustvo. Bulgaria’s Relentless Progress as a Land of Tourism 1964. Balkantourist News, vol. 3, pp. 1-3. Chataigneau Y., Robles E., Mandrou R. et al. 1968. Visages de Bulgarie (‘Faces of Bulgaria’). Paris: Editions Seghers. Dimchev V. & Shterev N. 1964. Bulgarian Black Sea Coast. Sofia: Nauka i Izkustvo. Eco U. 1986. Mirrors. In: U. Eco, Semiotics and the Philosophy of Language. Bloomington: Indiana University Press, pp. 202-226. Editors Note 1966 = Benexka or peaakuuara 1966. In: Brneapcxo omo (‘Bulgarian Photo’), vol. 1, p. 1. Gadjeva K. 2012 = l'auxesa, K. 2012. Mex0y »cenanomo u deücmeumennomo: Bomoepagerume uwnocmpayuu 6 OerzapcKume nepuoduunu us0anua 1948-1956 (‘Between Desire and Reality: Photographic Illustrations in Bulgarian Periodicals 1948-1956’). Cocpus: UK “TyrenGepr”. Gadjeva K. 2015. Between Tradition and Modernisation. Representations of Women in Photographic Illustrations in Bulgarian and Soviet Popular Magazines. In: M. Fritsche & A. Kassabova (eds.), Visuelle Kulturen (Visual Cultures). L'HOMME. Europäische Zeitschrift für Feministische Geschichtswissenschaft (L'Homme. European Journal of Feminist History’), vol. 2, no. 26, Kéln: Bohlau Verlag, pp. 33-48. Ghodsee K. 2005. The Red Riviera: Gender, Tourism, and Postsocialism on the Black Sea. Durham: Duke University Press. Johnson S. 1964. Gay Bulgaria. London: Travel Book Club.
