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to a “theatrical illusion” that makes them take a pure fiction as something true and
real, allowing an artistically created reference world to manifest itself as real. And
this delusion was what the authorities used, having understood well that “the ideal
subject of totalitarian rule”, as Hannah Arendt wrote, “is not the convinced Nazi or
the convinced Communist, but people for whom the distinction between fact and
fiction (i.e., the reality of experience) and the distinction between true and false
(i.e., the standards of thought) no longer exist” (Arendt 1962: 474).
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