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BIOGRAPHICAL NOTES around 1800. Ed. Linda Dietrick — Birte Giesler, Hannover, Wehrhahn, 2015; Birte Giesler, Sexualitát als Experiment und die De/Re/Materialisierung von Geschlecht im ‘Biowissenschaftsdrama’ der Gegenwart: Rolf Hochhuth Unbefleckte Empfängnis (1989) und Felicia Zeller Wunsch und Wunder (2015). In: Limbus. Australian Yearbook of German Literary and Cultural Studies 12 (2019). Jan L. Hagens’ research focuses on German and comparative drama (1550 to the present), drama theory, and philosophical and theological approaches to literature. He has published articles on seventeenth-century Jesuit drama, dramatic genre theory, theater semiotics, German film, Nietzsche, Freud, and language pedagogy. Hagens studied German literature, English literature, and Philosophy at the Universität Tübingen, Williams College, the University of Virginia, and Princeton University, then taught at Carleton College, Eckerd College, and the University of Notre Dame before joining Yale in 2010. He serves on the editorial board of Text and Presentation and the conference board ofthe Comparative Drama Conference. Däniel Tibor Hegyi graduated from Liszt Ferenc Academy of Music, where he studied harpsichord (BA). He continued his studies at the Käroli Gäspär University ofthe Reformed Church, where he received his master’s degree in theater studies. Currently he is doing his PhD studies at Pazmany Péter Catholic University in Budapest. His fields of research are theatre studies, theatre music (opera, etc.), and different types of approaches to realms (or sites) of memory [les lieux de mémoire]. Jennifer Herdt is Gilbert L. Stark Professor of Christian Ethics at the Yale University Divinity School. She has published widely on the history of modern moral thought, notably on virtue, natural law, moral agency, and ethical formation. Among her books are Forming Humanity: Redeeming the German Bildung Tradition (Chicago, 2019) and Putting on Virtue: The Legacy of the Splendid Vices (selected as a Choice Outstanding Academic Title). The recipient of a research fellowship from the Alexander von Humboldt Institute, she serves on several editorial boards and will be serving in 2020 as the President of the Society of Christian Ethics. Karina Koppany, theater historian, Bachelor of Liberal Arts, graduated in 2017 from the Karoli Gaspar University of the Reformed Church in Hungary. During her studies, she also participated in two Erasmus+ programs during which she had the opportunity to work together with foreign artists. Inter Alia, a Greek nonprofit organization, recruited her for a performance that focused on education, democracy, citizenship, and human rights. She played the part of Antigone in the Hungarian version of Sophocles’ play. For a similar cause, she * 281 °
