OCR Output

LITERARY CODE-SWITCHING

reflecting not only the desire and necessity of preserving and revitalizing a
threatened language, but also to enter a relationship with the reader—a rela¬
tionship that often takes the form of teacher and learner, emphasizing her work
as poetry—as—language-—lesson. Mcllwraith’s positioning of néhiyawéwin front
and center—the Cree language being the main theme as well as the most im¬
portant vehicle available for her reflections—and in relation with English
demonstrates the effects of settler colonialism on the Cree language but also,
even more importantly, succeeds in challenging and countering them.

BIBLIOGRAPHY

ACOOSE—MISWONIGEESIKOKWE: Janice: Neither Indian Princesses nor Easy Squaws, To¬
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ARMSTRONG, Jeanette: Land Speaking, in H. MacFarlane — A. G. Ruffo (eds.), Introduction
to Indigenous Literary Criticism in Canada, Peterborough, Broadview Press, 2016,
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BLAESER, Kimberley: Native Literature: Seeking A Critical Center, in D. Reder — L. M.
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BROUWER, Malou: Surviving and Challenging the Colonized Scene of Translation: Innu in
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ERDRICH, Heid: Curator of Ephemera at the New Museum for Archaic Media, Michigan,
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MARACLE, Brian: The First Words, in T. Cardinal et al.: Our Story: Aboriginal Voices on
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MaRACLE, Lee: Oratory: Coming to Theory, in M. Campbell — D. Jensen — J. A. Fedorick
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MCILWRAITH, Naomi: kiyam, Edmonton, Athabasca University Press, 2012.

MCILWRAITH, Naomi — KARTZ, Ellen: Becoming a Fluent Listener: Ellen Kartz Interviews
Naomi Mcllwraith, Read Alberta, 5 April 2022, https://readalberta.ca/interviews/be¬
coming-a-fluent-listener-ellen-kartz-interviews-naomi-mcilwraith/, accessed 10 De¬
cember 2022.

OKIMASIS, Jean — WOLVENGREY, Arok: How to Spell it in Cree (The Standard Roman Or¬

thography), Regina, miywäsin ink, 2008.

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