OCR Output

WORKS CITED

FABINY, Tibor: The Eye as a Metaphor in Shakespearean Tragedy: Hamlet, Cordelia
and Edgar: Blinded Parents’ Seeing Children, in K. Kürtôsi — J. Pal (eds.):
Celebrating Comparability, Szeged, JATE University Press, 1994, 461-478.

FLOYD—WILSON, Mary — GREENFIELD, Matthew — PASTER, Gail Kern —
POLLARD, Tanya —ROWE, Katherine — YATES, Julian: Shakespeare and Em¬
bodiment: An E-Conversation, Literature Compass 2 (2005), 1-13.

FoAKES, Reginald Armstrong: Introduction, in William Shakespeare: King
Lear, Reginald Armstrong Foakes (ed.), The Arden Shakespeare. Third
series, London, Thomson Learning, 1997, 1-151.

---: Hamlet versus Lear. Cultural Politics and Shakespeare’s Art, Cambridge,
Cambridge University Press, 1993.

FOLpvARY, Kinga: Humanist-Human—Humane? Poverty and Humanitartian
Aid in Elizabethan England, in Zsolt Almási — Mike Pincombe (eds.): Writing
the Other: Humanism versus Barbarism in Tudor England, Newcastle upon
Tyne, Cambridge Scholars, 2008, 216-230.

FRASER, Russel: Anarchy and Order, in Russel Fraser: Shakespeare’s Poetics in
Relation to King Lear, London, Routledge—Kegan Paul, 1962, 61-84.

Frye, Northrop: Northrop Frye on Shakespeare, ed. Robert Sandler, New Haven¬
London, Yale University Press, 1986.

FREEMAN, Donald C.: “According to my bond:” King Lear and Re-cognition,
Language and Literature 2 (1993), 1-18.

GILLESPIE, Stuart: Shakespeare’s Books, Athlone Shakespeare Dictionary Series,
London—New Brunswick, NJ, Athlone, 2001.

GRABES, Herbert: The Mutable Glass. Mirror-imagery in Titles and Texts of the
Middle Ages and English Renaissance, trans. Gordon Collier, Cambridge,
Cambridge University Press, 1982.

GREENBLATT, Stephen: Shakespeare and the Exorcists, in Patricia Parker and
Geoffrey Hartman (eds.): Shakespeare and the Question of Theory, New York,
Methuen, 1985, 163-187.

GULSTAD, William: Mock-trial or witch-trial in King Lear?, Notes and Queries
41:4 (1994), 494-497,

HALE, David George: The Body Politic. A Political Metaphor in Renaissance
English Literature, The Hague—Paris, Mouton, 1971.

HAMMOND, Paul: James I’s Homosexuality and the Revision of the Folio Text
of King Lear, Notes and Queries 44:1 (1997), 62-64.

HANKINS, John Erskine: Backgrounds of Shakespeare’s Thought, Hassocks,
Sussex, The Harvest Press, 1978.

HappE, Peter: Allegorical Kings as Staged by Skelton and Lindsay, in Peter Happé
(ed.): Tudor Theatre. Allegory in the Theatre. Lallégorie au theater, Collection
Theta, Volume 5., Bern, Peter Lang, 2000, 77-89.

---: Fansy and Foly: the Drama of Fools in Magnyfyncence, Comparative Drama
27:4 (1994), 426-452.

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