OCR Output

SHAKESPEARE’S ART OF POESY IN KING LEAR

BULLOUGH, Geoffrey: Narrative and Dramatic Sources of Shakespeare Vol. VII
Major Tragedies: Hamlet, Othello, King Lear, Macbeth, London, Routledge,
1973, 269-308.

CAMDEN, William: Remaines of a Greater Work Concerning Britaine, the
inhabitants thereof, their Languages, Names, Surnames, Empreses, Wise
Speeches, Poésies, and Epitaphes, London, printed by G. E., 1605.

CAMPBELL, John Lord: King Lear, in John Lord Campbell: Shakespeare’s Legal
Acquirements, New York, D. Appleton & Co., 1859, 97-103.

CAMPBELL, Lily Bess: Poetical Mirrors of History, in Lilly Bess Campbell:
Shakespeare’s “Histories”: Mirrors of Elizabethan Policy, London—New York,
Routledge, 2004 [1947], 106-116.

CLEGG, Cyndia Susan: King Lear and the Early Seventeenth-century Print
Culture, in Jeffrey Kahan (ed.): King Lear: New Critical Essays. Volume 33 of
Shakespeare criticism, New York, Routledge, 2008, 155-184.

CLEMEN, W. H.: King Lear, in W. H. Clemen: The Development of Shakespeare’s
Imagery, Cambridge, MA, Harvard University Press, 1951, 133-153.

COLIE, Rosalie: Shakespeare’s Living Art, Princeton, Princeton University Press,
1974.

CURTIUS, Ernst Robert: European Literature and the Latin Middle Ages, trans.
Willard R. Trask, Princeton, NJ, Princeton University Press, 1973.

DALY, Peter M.: The Case for the 1593 Edition of Thomas Combe’s Theater
of Fine Devices, Journal of the Warburg and Courtauld Institutes 49 (1986),
255-257.

DEBAX, Jean-Paul: Complicity and Hierarchy: a Tentative Definition of the
Interlude Genus, in Peter Happé — Wim Hiisken (eds.): Interludes and Early
Modern Society. Studies in Gender, Power and Theatricality, Amsterdam¬
New York, Rodopi, 2007, 23-42.

DESsMET, Christy: Character Criticism, in Stanley Wells—Lena Cowen Orlin
(eds.): Shakespeare. An Oxford Guide, Oxford, New York, Oxford University
Press, 2003, 351-372.

---: To See Feelingly: Vision, Voice, and Dramatic Illusion in King Lear, in
Christy Desmet: Reading Shakespeare’s Characters: Rhetoric, Ethics, and
Identity, Amherst, Massachusetts University Press, 1992, 112-133.

Dopp, William: Impossible Worlds: What Happens in King Lear, Act 1, Scene
1?, Shakespeare Quarterly 50 (1999), 477-507.

ELTON, W. R.: King Lear and the Gods, Lexington, University Press of Kentucky,
1988.

---: Shakespeare and the Thought of his Age, in Stanley Wells (ed.): The
Cambridge Companion to Shakespearean Studies, Cambridge—New York,
Cambridge University Press, 1986, 17-33.

Evans, John X.: Erasmian Folly and Shakespeare’s King Lear: A Study in
Humanist Intertextuality, Moreana 27:103 (1990), 3-23.

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