OCR Output

HINDUIZMUS ÉS A MÉDIA A 21. SZÁZADBAN

Karkare, Aakash: „Protestsby VHP activists meant that this gorgeous animated Ramayana’
never got an Indian release.” Scroll, 2017. aprilis 2. https://scroll.in/reel/832996/
protests-by-vhp-activists-meant-that-this-gorgeous-animated-ramayana-nev¬
er-got-an-indian-release

Kang, Myungnam: ,The making of Womanhood in Early India: Pativrata in the Ma¬
habharata and Ramayana.” Sri Lankan Journal of Social Sciences, 2015, 206-212.

Karmakar, Goutam - Payel Pal, Payel: , Framing the Feminist Horror: Repression, Revenge,
and Retaliation in Stree (2018) and Bulbbul (2020).” Quarterly Review of Film and
Video, 2022. https://doi.org/10.1080/10509208.2022.2105623

Katju, Manjari: ,The Politics of ’Ghar Wapsi’.” Economic and Political Weekly, 50. evf. 1,
2015, 21-24.

Khanna, Rakesh — Bhairav, Furcifer: Ghosts, Monsters and Demons of India. London:
Watkins, London, 2023.

Khurana, Suanshu: , Manoj Muntashir Shukla - Adipurush dialogue writer whose pol¬
itics has come full circle to haunt him.” Indian Express, 2023. junius 23. https://
indianexpress.com/article/opinion/columns/manoj-muntashir-shukla-adipu¬
rush-dialogue-writer-8682287/

Kumar, Anubha: Provincialising Bollywood: Bhojpuri cinema and the vernacularisation of
North Indian media. Glasgow: University of Glasgow, Glasgow, 2015.

Kumar, Priya: Limiting Secularism. The Ethics of Coexistence in Indian Literature and Film.
University of Minnesota Press, Minneapolis, 2008.

Kumar, Anubha: „Between Ramgarh and Bambai The Leftover Geography of Bhojpuri
Cinema. In Translation.” Summerhill ILAS Review, 24. &vf., 1, 2018, 59-64.

Lichtner, Giacomo - Bandyopadhyay, Sekhar: „Indian Cinema and the Presentist Use of
History: Conceptions of „Nationhood” in Earth and Lagaan.” Asian Survey, 48.
evf., 3, 2008, 431-452. https://doi.org/10.1525/as.2008.48.3.431

Lutgendorf, Phillip: Allin the (Raghu) family: a video epic in cultural context. In Babb,
Lawrence A. - Wadley, Susan S. (szerk.): Media and the Transformation of Religion
in South Asia. University of Pennsylvania Press, Philadelphia, 1995, 217-253.
https://doi.org/10.9783/9781512800180-014

Lutgendorf, Phillip: „ASuperhit Goddess. JaiSantoshi Maa and Caste Hierarchy in Indian
Films.” Manushi, 131. évf., 2002, 10-16.

Lutgendorf, Phillip: Bending the Bharata. In Heidi Pauwels (szerk.): Indian Literature and
Popular Cinema: Recasting Classics. Routledge, London és New York, 2007, 19-41.

Madhok, Divya: ,,The future of Indian television lies between Naagin and Narcos.” Quartz
India, 2017. aprilis 3. https://qz.com/india/947967/ekta-kapoors-alt-balaji-the-fu¬
ture-of-indian-television-lies-between-naagin-and-narcos/

Mahaprastha, Arvind Alok: „Ihe History of "Love Jihad’: How Sangh Parivar Spread a
Dangerous, Imaginary Idea.” The Wire, 2020. november 20. https://thewire.in/
communalism/love-jihad-anti-muslim-history-sangh-parivar

Majumdar, Neepa: , Doubling, Stardom, and Melodrama in Indian Cinema: the ’Impos¬
sible’ Role of Nargis.” Postscript, 22. évf., 3, 2003, 89-103.

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