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022_000061/0000

Ambiguous Topicality: a Philther of State-Socialist Hungarian Theatre

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Author
Árpád Kékesi Kun
Field of science
Előadóművészet (zene, színháztudomány, dramaturgia) / Performing arts studies (Musicology, Theater science, Dramaturgy) (13051)
Series
Collection Károli. Monograph
Type of publication
tanulmánykötet
022_000061/0128
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Page 129 [129]
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022_000061/0128

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ENDRE MARTON: CHAPTERS ON LENIN, 1970 the internationalization of civil war.? While Lenin votes for signing the ultimatum, he allows those who hold the opposing opinion to openly agitate against the peace, since it is the only way “to gauge the opinion of the party, and if the party votes against signing, then the ratification cannot happen". The third chapter edits Elizaveta Drabkina’s first-hand account of the defeat of the Kronstadt rebellion (a severe destabilization of Soviet power) together with Lenin’s closing speech at the Party Congress on 9* March, 1921, where he not only draws the conclusions of the Kronstadt events, but moves beyond to discuss worker-peasant relations and the necessity of a new economic policy in order to prevent further crises.°* The fourth part, the ending of Chapters (but for the Brecht-cantata written for the day of Lenin’s death), forms a framing device, since it is as lyrical as the first chapter. It initiates us into the friendship between Lenin and Gorky through their personal statements; a friendship that was not without disagreements or even attacks against one another. And while it is not untrue to state that “the friendship fades to a cliché this way”,”° the chapter relaxes us with “a beautiful and natural resolution of tensions”,©” fulfilling its purpose, whitewashing the origins of Communist Dictatorship. 62 In this chapter, we see the Lenin who was described by Gyérgy Lukacs in 1924 in the following way. “If we examine its basis and internal context, Lenin’s ‘realpolitik’ proves to be the peak of dialectical materialism achieved so far. On the one hand, it is a strictly Marxist, sober and detailed analysis of the situation, the economic structure and the class relations. On the other hand, it is of extraordinary clarity in the face of any new trends resulting from the situation, and it is not obscured by any theoretical bias or utopian desire.” Forradalmi reälpolitika, Korunk 29:3 (1970), 309. (My italics — A.K.K.) Ideas subordinated to practice were the result of a change in attitudes in the period. Cf. a statement by Bela Köpeczi: “It can be said, of course, that the [1958] directives overestimated the importance of ideas in the education of our society’s worldview to some extent. This is true, and we have seen it particularly since 1968 that economic processes sometimes have a larger, more decisive impact on daily life.” Bela Képeczi: Mtivelédéspolitikai alapelveink dokumentuma, in Péter Agárdi (ed.): Művészet és politika. Tanulmányok, dokumentumok 1977-1983, Budapest, Kossuth, 1984, 30. Gyurkó: Fejezetek Leninről, 451. — Miklós Almási considers this chapter to be the very subject of the work, in the context of which he points out the “ordinary conflicts” of the “exercise of power” that deserve consideration today. Cf. Miklós Almási: Viták a köznapisággal, Kortédrs 14:8 (1970), 1329. — The critic of Nők Lapja saw “the university of democratism and agitation” in “the human drama of ingenious insights and the commitment to historical responsibility”. Féldes: Gondolatok szinpada, 10. 624 Several reviewers called this section “the most shocking” (Sas: Fejezetek Leninrél — Déntés, 5.), “the most exciting, the most human part” of the dramatic montage. Kriszt: Fejezetek Leninröl, 4. Therefore, “the community of partnership, the friendly relationship full of disputes: Krupskaya and Gorky” just serve liveliness around the central two chapters. E. Fehér: Fejezetek Leninről, 7. 626 [bid. 627 M.B.B.: Fejezetek Leninről, 5. 62: œ 62: a «127 +

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