Oldal 604 [604]
OCR
602 Kamila Baraniecka-Olszewska References Agnew V. 2007. History s Affective Turn: Historical Reenactment and Its Work in the Present. Rethinking History, vol. 11, no. 3, pp. 299-312. Barthes R. 1981. Camera Lucida. Reflections on Photography. New York: Hill and Wang. Berger J. 1980. Understanding a Photograph. In: A. Trachtenberg (ed.), Classic Essays in Photography. New Haven: Leete Island Books, pp. 291-294. Berger J. 1999. O patrzeniu (‘About Looking’). Warszawa: Fundacja Aletheia. Bojarska K. 2013. Zawieszenie (w) historii (‘Supension in/of History’). Widok. Teorie i Praktyki Kultury Wizualnej, vol. 2, pp. 1-13. Butler J. 2005. Photography, War, Outrage. Publications of the Modern Language Association, vol. 120, no. 3, pp. 822-827. Carnegie E. & McCabe S. 2008. Re-enactment Events and Tourism: Meaning, Authenticity and Identity. Current Issues in Tourism, vol. 11, no. 4, pp. 349-368. Cook A. 2004. The Use and Abuse of Historical Reenactment: Thoughts on Recent Trends in Public History. Criticism, vol. 46, no. 3, pp. 487-496. Crang M. 1996. Living History: Magic Kingdoms or a Quixotic Quest for Authenticity? Annals of Tourism Research, vol. 23, no. 2, pp. 415-431. Daugbjerg M. 2014. Patchworking the Past: Materiality, Touch and the Assembling of “Experience” in American Civil War Re-enactment. International Journal of Heritage Studies, vol. 20, no. 7-8, pp. 724-741. Decker S.K. 2010. Being Period: An Examination of Bridging Discourse in a Historical Reenactment Group. Journal of Contemporary Ethnography, vol. 39, no. 3, pp. 273-296. Demski D. 2015. Living Images and Gestures in Wartime: The Other as an Iconoclastic Figure. In: D. Demski, L. Laineste & K. Baraniecka-Olszewska (eds.), War Matters. Constructing Images of the Other (1930s to 1950s). Budapest: L'Harmattan, pp. 52-83. Domañska E. 2005. Mikrohistorie: spotkania w migdzyswiatach (‘Microhistories. Encounters Between Worlds). Poznañ: Wydawnictwa Poznañskie. Gapps S. 2009. Mobile Monuments: A View of Historical Reenactment and Authenticity from Inside the Costume Cupboard of History. Rethinking History, vol. 13, no. 3, pp. 395-409. Greene M. 1994. Postmodernism and the Crisis of Representation. English Education, vol. 26, no. 4, pp. 206-219. de Groot J. 2008. Consuming History: Historians and Heritage in Contemporary Popular Culture. London & New York: Routledge. Handler R. & Saxton W. 1988. Dyssimulation: Reflexivity, Narrative, and the Quest for Authenticity in “Living History”. Cultural Anthropology, vol. 3, no. 3, pp. 242-260. Jay M. 2011. Fotografia i wydarzenie (‘Photography and Event’). Teksty Drugie, no. 5, pp. 161-182. Johnson K. 2015, Performing Pasts for Present Purposes: Reenactment as Embodied, Performative History. In: D. Dean, Y. Meerzon & K. Prince (eds.), History, Memory, Performance. Basingstoke: Palgrave Macmillan, pp. 36-52. Kwiatkowski PT. 2008. Pamieé zbiorowa spoleczenstwa polskiego w okresie transformacji (‘Collective Memory of Polish Society in the Time of Transformation’). Warszawa: Scholar.
