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022_000057/0000

The Multi-Mediatized Other. The Construction of Reality in East-Central Europe, 1945–1980

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Field of science
Antropológia, néprajz / Anthropology, ethnology (12857), Kultúrakutatás, kulturális sokféleség / Cultural studies, cultural diversity (12950), Társadalomszerkezet, egyenlőtlenségek, társadalmi mobilitás, etnikumközi kapcsolatok / Social structure, inequalities, social mobility, interethnic relations (12525), Vizuális művészetek, előadóművészetek, dizájn / Visual arts, performing arts, design (13046)
Type of publication
tanulmánykötet
022_000057/0539
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022_000057/0539

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538 Katerina Gadjeva among the Bulgarian holidaymakers, the long and moderately hot summer, and the coolness of the shady places among the luxuriant vegetation were the factors that could turn Bulgaria into a fashionable tourist destination. For the citizens of socialist countries it was hard to travel beyond the iron curtain, and the conditions offered by the Bulgarian Black Sea coast were ideal for a summer holiday. Within the socialist camp, these could only be rivalled by the Federal Republic of Yugoslavias Adriatic coastline, but the country never assumed a course of dependence from the USSR; it remained an unpopular destination for socialist citizens and attracted instead more tourists from capitalist countries. Ihe authorities set themselves the task of turning Bulgaria into a "Red Riviera"—the most desired holiday destination in the socialist world. In the summer of 1956, the first sod was turned for the Golden Sands resort. The terrain was a wilderness full of snakes, for the extermination of which 200 hedgehogs were brought in from Albania (Kalinkov & Doychev 2007: 12). Nevertheless, for the start-up of the tourist season in the following year of 1957, eight hotels, as well as several bungalow areas, five restaurants, and one pastry shop, were built and ready for use (Ibid.: 15). Work started also on the Slanchev briag (‘Sunny Beach) resort and the expansion of the Druzhba (‘Friendship’) complex. Some of the country’s top architects were invited to design hotels that would naturally fit into the surrounding landscape. “Simple, beautiful, refined, colourful, tranquil and modern—these are only some of the architectural qualities of the Golden Sands resort. The soft colours of the facades, the elegant lines of the balconies, the green areas contrasting the black of the roads and alleys—this is the background against which the people who have come here from near and far stand out. Everything is organized in a single meaningful composition which has preserved the beauties of nature.” This is the description of the Golden Sands provided by one of the most representative photographic albums‘ of the 1960s advertising the Bulgarian seaside (Dimchev & Shterev 1964). A US-American travel guide published in 1968 enthusiastically declared: “What the Bulgarians have done and are doing with their stretch of Black Sea coast is one of the phenomena of the international tourist industry. ... The Bulgarians have created pleasure resorts that, despite the hundreds of thousands jamming them in season, are miraculously devoid of a honkytonk quality. They have paid considerable attention to the need for shady spaces, for parks and gardens, for a variety of places to eat, drink, and amuse oneself, for sightseeing tours—inexpensive and well-organized—to both immediate and distant points, for rapid transport (direct flights to the coast from abroad, for example) and at least to as great an extent as possible, for pleasant, efficient service” (Kane 1968: 55-56) (Figs 1 and 2). To develop the new Black Sea resorts and attract tourists from abroad became one of the country’s top priorities in the long run (Beyer & Hagemann 2013). But in the 1950s the inflow of foreign tourists * Other representative albums in English are Rashev (1968); Boev (1966); Popov & Dimchev (1961).

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