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Cultural Production of the Real Through Picturing Difference in the Polish Media: 1940s—1960s among ideological or emancipatory aspirations forming the base of influence of the media within whose reach we live. To summarize this chapter, let me revisit the words of Jacques Derrida: “Origin of the experience of space and time, this writing of difference, this fabric of the trace, permits the difference between space and time to be articulated, to appear as such, in the unity of an experience (of a “same” lived out of a “same” body proper [corps proper])” (1997: 66). Adapting this idea to visual issues led us to the following conclusion. All the visual material presented here as showing opposite sides— the nature of dividing lines, the distance between the observer and the observed, the medium itself, strategies of immediacy, and the level of production of the real consequently can be brought into assumption that of all of them depict the visual maps of relationship between the parts. According with this way of thinking, the visual data reflect the creation of the new forms of visuality as a kind of play of difference characteristic to Poland. In contrast to the previous years, the number of images (including the number of images never experienced directly) increased, the types of media multiplied, and the space occupied by the images enlarged. It resulted in a process of constructing identity increasingly by means of images. References Bhabha H. 1994. The Location of Culture. London: Routledge. Bauman Z. 2004. Plynna nowoczesnos¢ (‘Liquid Modernity’). Krakéw: Wydawnictwo Literackie. Cztery razy Swiat. 2013. Katalog wystawy (‘Four Times World. A Catalogue’). Warszawa: Muzeum Narodowe. Demski D. & Baraniecka-Olszewska K. (eds.) 2010. Images of the Other in Ethnic Caricatures, Warszawa: IAE PAN. Demski D., Sz. KristéfI., & Baraniecka-Olszewska K. (eds.) 2013. Competing Eyes. Visual Encounters with Alterity in Central and Eastern Europe. Budapest: L'Harmattan. Demski D., Laineste L., Baraniecka-Olszewska K. (eds.) 2015. War Matters. Constructing Images of the Other (19305 to 19505). Budapest: L'Harmattan. Demski D. 2015. Living Images and Gestures in Wartime: The Other as an Iconoclastic Figure. In: D. Demski, L. Laineste, K. Baraniecka-Olszewska (eds.), War Matters. Constructing Images of the Other (19305 to 19505). Budapest: L'Harmattan, pp. 52-83. Derrida J. 1997. Of Grammatology. Baltimore: John Hopkins University Press. Eisenlohr P. 2011a. What Is a Medium? Theologies, Technologies and Aspirations. Social Anthropology, vol. 19, no. 1, pp. 1-5. Eisenlohr P. 2011b. Anthropology of Media and the Question of Ethnic and Religious Pluralism. Social Anthropology, vol. 19, no. 1, pp. 40-55. Goban-Klas T. 2009. Media i komunikowanie masowe. Teorie i analizy prasy, radia, telewizji i Internetu (Media and Mass Communication. Theories and Analysis of Press, Radio, Television and the Internet). Warszawa: PWN. 49
