Oldal 29 [29]
Within and Across the Media Borders
how historical reenactors try to create their vision of the past by means of photogra¬
phy, capturing scenes from re-created reality. Representations of the past embedded
in those elements are freguently transferred from one medium to another to imi¬
tate pictures from the past through capturing reenacted events. As she claims, with
regard to reenacting war photography, it is even more evident that we are dealing
not with a kind of restaged representation but a sophisticated fake.
References
Anderson K.E. 1972. Introduction to Communication Theory and Practice. Menlo Park CA: Cummings.
Cigognetti L., Servetti L. & Sorlin P (eds.) 2010. History of Television in Seven East Europe Countries.
Hungary, Lithuania, Slovakia, Czech Republic, Poland, Romania, Finland. Bologna: Assemblea
Legislativa Regione Emilia-Romagna.
Demski D. & Baraniecka-Olszewska K. 2010. Introduction. Encountering Images of the Other. In:
D. Demski & K. Baraniecka-Olszewska (eds.), Images of the Other in Ethnic Caricatures. Warszawa:
IAE PAN, pp. 11-25.
Demski D. & Sz. Kristöf I. 2013. Introduction. In: D. Demski, I. Sz. Kristéf & K. Baraniecka-Olszewska
(eds.), Competing Eyes. Visual Encounters with Alterity in Central and Eastern Europe. Budapest:
L'Harmattan, pp. 11-23.
Demski D., Laineste L., & Baraniecka-Olszewska K. 2015. Representations of the Other in the Time of
War: Does War Matter? In: D. Demski, L. Laineste & K. Baraniecka-Olszewska (eds.), War Matters.
Constructing Images of the Other (19305 to 19505). Budapest: L'Harmattan, pp. 11-23.
Edwards E. & Hart J. (eds.) 2004. Photographs Objects Histories: On the Materiality of Images. London
& New York: Routledge, pp. 47-61.
Giddens A. 2002. Nowoczesnos¢ i tozsamos¢. Ja’ i spoleczenstwo w epoce pöZnej nowoczesnosci (‘Modernity
and Self-Identity. Self and Society in the Late Modern Age’). Warszawa: PWN.
Kemp W. 2014. Historia fotografti. Od Daguerrea do Gurskyego (History of Photography. From Daguerre
to Gursky’). Krakéw: Universitas.
Manovich L. 2006. Jezyk nowych mediéw (“The Language of New Media). Warszawa: Wydawnictwa
Akademickie i Profesjonalne.
Marks L.U. 2000. The Skin of the Film. Intercultural Cinema, Film and the Senses. Durham & London:
Duke University Press.
Michatowska M. 2012. Foto-teksty. Zwigzki fotografti z narracjq (‘Photo-Texts. Compounds of the Photo¬
graphs with Narration’). Poznan: Wydawnictwo Naukowe UAM.
Mirzoeff N. 2016. Jak zobaczyé swiat (“How to See the World’). Warszawa: Wydawnictwo Karakter.
Rosenstone R.A. 1988. History in Images/History in Words. Reflections on the Possibility of Really Put¬
ting History onto Film. American Historical Review, vol. 93, no. 5, pp. 1173-1185.
Sorlin P. 1998. Television and Our Understanding of History. A Distant Conversation. In: T. Berta (ed.),
Screening the Past. Film and the Representation of History. Westport & London, pp. 205-220.
White H. 1988. Historiography and Historiophoty. American Historical Review, vol. 93, no. 5, pp. 1193¬
1199.
27