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Within and Across the Media Borders
how historical reenactors try to create their vision of the past by means of photogra¬
phy, capturing scenes from re-created reality. Representations of the past embedded
in those elements are freguently transferred from one medium to another to imi¬
tate pictures from the past through capturing reenacted events. As she claims, with
regard to reenacting war photography, it is even more evident that we are dealing
not with a kind of restaged representation but a sophisticated fake.
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