Page 305 [305]
OCR
American Femininity in Soviet Films during the Early Cold War (1946—1955) Hooper Ch. 2001. Manly States: Masculinities, International Relations, and Gender Politics, New York: Columbia University Press. Jackson T. 2000. The Manchurian Candidate and the Gender of the Cold War. Literature-Film Quarterly, vol. 28, no. 1, pp. 34-40. Jakobson A. 1952 = 4ko6con A. 1952 Hlaxaavi (“The Jackals’). Mocxsa: Coserckuli mucaresb. Johnston G. 2010. Revisiting the Cultural Cold War. Social History, vol. 35. no. 3, pp. 290-307. Kaganovsky L. 2008. How the Soviet Man Was Unmade: Cultural Fantasy and Male Subjectivity Under Stalin. Pittsburgh: University of Pittsburgh Press. Kackman M. 2005. Citizen Spy: Television, Espionage, and Cold War Culture. Minneapolis: University of Minnesota Press. Kenez P. 1992. Cinema and Soviet Society, 1917-1953. Cambridge: Cambridge University Press. Kenez P 2008. The Picture of the Enemy in Stalinist Films. In: Norris $.M. & Torlone Z.M. (eds) Insiders and Outsiders in Russian Cinema. Bloomington: Indiana University Press, pp. 96-112. Kokoreva I. 1959 = Kokopera U. 1959. B samwry cnpasemuBocru (‘In Defense of Justice’). Hcxycemeo Kuno, no. 2, pp. 29-32. Laville H. 2006. “Our Country Endangered by Underwear”: Fashion, Femininity, and the Seduction Narrative in Ninotchka and Silk Stockings. Diplomatic History, vol. 30, no. 4, pp. 623-644. Lavrenev B.A. 1952 = Jlaspenes B.A. 1952. Tonoc Amepuxu (“The Voice of America’). MocxBa, Ucxyccrso. Norris S.M. & Torlone Z.M. (eds) 2008. Insiders and Outsiders in Russian Cinema. Bloomington: Indiana University Press. May E.T. 1988. Homeward Bound: American Families in the Cold War Era. New York: Basic Books. Plan meropriyatii 2005 = Ilnau meponpuatTuit no mponaranne cpequ HACeJIEHHA H/IEÜ coBercKoro HATPHOTH3Ma: JHOKyMeHT Arutmpona, 18 amp. 1947 (“The Plan on Reinforcement of the Anti-American Propaganda in the Near Future’). In: Hagvxados JLT. (eds) Cmaaun u xocmonoaumusm, 19451953: dokymenmet Aeumnpona IIK KIICC (‘Stalin and Comsomolism, 1945-1953: Agitprops Documents’). Mocksa: lemorparus, pp. 110-125. Poiger U.G. 2000. Jazz, Rock, and Rebels: Cold War Politics and American Culture in a Divided Germany. Berkeley: University of California Press. Riabov O.V. 2012 = Pa608 O.B. 2012. “Mucrep ]IxonH Jlankacrep IIek”: Amepnkanckast MACKyJIHHHOCTB B COBETCKOM KuHeMaTorpabe Xononkoü Bone (1946-1963) (”Mr. John Lancaster Peck”: American Masculinity in the Soviet Cold War Cinema). ZKenuyuna 8 poccuückom o6wecmee, no. 4, pp. 44-57. Rikhter Dz. 1997 = Puxrep J>x. 1997. Ugeonornu o pom XKeHINUHBI B oőmecrBe B CIIIA u Poccuu B MEpPHON "XOJIONHON BONHBI" (Cold War Ideologies on the Social role of Women in the US and Russia’). Kemuwuna 8 poccuückom o6wecmee, no. 3, pp. 38-41. Rollberg P 2008. Historical Dictionary of Russian and Soviet Cinema. Lanham & Toronto & Plymoth: Scarecrow Press. Shaw T. 2007. Hollywood’ Cold War. Edinburgh: Edinburgh University Press. Shaw T. & Youngblood D. 2010. Cinematic Cold War: The American and Soviet Struggle for Hearts and Minds. Lawrence: University Press of Kansas. 303
