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022_000040/0000

Digital media and storytelling in higher education

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Author
Anita Lanszki
Field of science
Kultúrakutatás, kulturális sokféleség / Cultural studies, cultural diversity (12950), Kommunikációs hálózatok, média, információs társadalom / Communication networks, media, information society (10104), Pedagógia / Pedagogy (12910)
Type of publication
monográfia
022_000040/0132
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022_000040/0132

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132 | Digital Media and Storytelling in Higher Education for the students’ knowledge construction. There is also a continuous exchange of opinions between the group members. One of the main functions of such social interaction is that feedback is used to test the adaptability of concepts since knowledge must be relevant not only in a pedagogical context but also in real-life situations. Students may encounter different interpretations of a topic, different approaches to a problem in the digital stories of the group, and a convention of interpretation of a topic may emerge if the interpretations are linked to each other. Two concepts arise in the context of constructivist learning theory: constructivism and constructionism: “/...] while constructivism sees the construction of knowledge as a personal process within the individual mind, for constructionism this process takes place in the ‘social cognitive space’, i.e. in the context of cooperation and interaction between people, in the framework of group processes.” (Nahalka, 2002, p. 70) Digital narrative construction lies somewhere at the intersection of the two concepts. The creation of a narrative is seen as an individual construction process according to the concept of constructivism since narratives are related to one’s prior knowledge. On the other hand, the construction of digital narratives is the result of research findings and experiences that lead to a unique configuration of knowledge. In addition, the author, based on individual taste, selects the elements (verbal, visual, or dramaturgical) within its own adaptive system. However, constructionism can be seen in the fact that digital narrative creation is a complex process that is reflected not only in the system of tools and objectives, but also in the way in which learning organization and activities are embodied in diverse social forms. The constructivist pedagogy of collaborative learning through social relations is embodied in Siemens’ (2005) connectivist theory of learning. The key concept of this model is learning in a networked form, which is not necessarily linked to the school. The concept of networked learning is linked to the notion of a learning environment that has changed as a result of the information revolution. The Internet not only houses information in a networked form but also provides a space for collaborative learning. A summary of the connectivism approach is: Connectivisms view of learning describes learning as informal, networked, technologically supported, continuous, lifelong, self-organized, embedded in other (non-learning) activities. The basic learning activity is the use of technology and the creation of connections, and the learner's task is to recognize patterns. Learning is a networking activity and the basic skill is to explore the connections between different domains. (Virag, 2014, p. 65) In order for connectivism to be realized, students and teachers involved in the organization of the learning process must be aware of the possibilities offered by the World Wide Web and the functions that can be put at the service of learning. At the time of Web 1.0, only hyperlinked databases were

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