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022_000034/0000

Influencing Beckett – Beckett Influencing

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Field of science
Irodalomtörténet / History of literature (13020), Előadóművészet (zene, színháztudomány, dramaturgia) / Performing arts studies (Musicology, Theater science, Dramaturgy) (13051)
Series
Károli könyvek. Tanulmánykötet
Type of publication
tanulmánykötet
022_000034/0125
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Page 126 [126]
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022_000034/0125

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TRANSLATING SILENCE: CORRELATIONS BETWEEN BECKETT, CHEKHOV, AND HIRATA MCMULLAN, Anna: Theatre on Trial: Samuel Beckett’s Later Drama, London, Routledge, 1993. Mooney, Sinéad: Foreign Bodies in A Tongue Not Mine: Beckett and Translation, Oxford, Oxford UP, 2011. Nojima, Mizuho, Cast Interview in The Three Sisters, Dir. Oriza Hirata, Perf. Hiroko Matsuda, Mizuho Nojima, Minako Inoue, DVD, Theatre Television, 2013. Nornes, Abe Mark: For An Abusive Subtitling, in Lawrence Venuti (ed.): The Translation Studies Reader, 24 Edition, New York, Routledge, 1999/2004, 447-469. TAKAHASHI, Yasunari: Qu’est-ce qui arrive? Some Structural Comparisons of Beckett’s Plays and Noh, in Morris Beja, S. E. Gontarski, and Pierre Astier (eds.), Samuel Beckett: Humanistic Perspectives, Columbus, Ohio State University, 1983, 99-106. TAKEBE, Yoshiko: Analysis of Beckettian Noh for Contemporary Performing Art, in Shujitsu English Studies 30 (2014), 229-243. TAKEBE, Yoshiko: Potentialities of Non-linguistic Modalities in Adaptations of Western Drama, in Invitation to Translation Studies Vol. 14 (2015), Tokyo, The Journal of the Japan Association for Interpreting and Translation Studies, 107-118. The Three Sisters, Dir. Oriza Hirata, Perf. Hiroko Matsuda, Mizuho Nojima, Minako Inoue, DVD, Theatre Television, 2013. YAMAMOTO, Kunihiko: Adventures of Twentieth Century Theatre Challenging the Poetics by Aristotle - Samuel Beckett, Terayama Shuji, Bertold Brecht, in Annual Bulleting of Research and Education at Nara Women’s University Department of Literature 1 (2005), 89-99. YAMANOUCHI, Tomio: Dramaturgy, Tokyo, Kinokuniya, 1979. YAMANOUCHI, Tomio: Vision of Drama, Tokyo, Hakuosha, 1997.

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