Introduction

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Kirschen, Robert M.: The Influences of and on Samuel Beckett, Journal of Modern Literature Vol. 31, No. 2 (2008), 143–148. DOI: https://doi.org/10.2979/JML.2008.31.2.143

Rákóczy, Anita: The Godots that Arrived in Hungary, Samuel Beckett Today / Aujourd’hui, Vol. 29, No. 2 (2017), 285–297. DOI: https://doi.org/10.1163/18757405-02902006

 

Teresa Rosell Nicolás: IN SEARCH OF LOST IMAGE

Ackerley, Chris: The Past in Monochrome: (In)voluntary Memory in Samuel Beckett’s Krapp’s Last Tape, in D. Guardamagna – R. M. Sebellin (eds.): The Tragic Comedy of Samuel Beckett. “Beckett in Rome” 17–19 April 2008, Università degli Studi di Roma «Tor Vergata» Gius. Laterza & Figgie, 2009, 277–291.

Albérès, René M.: Métamorphoses du roman, Paris, Éditions Albin Michel, 1972.

Beckett, Samuel: Proust, London, Chatto and Windus, 1931.

Beckett, Samuel: Proust in Pieces, in Ruby Cohn (ed.): Disjecta, New York, Grove, 1984, 63–65.

Beckett, Samuel: L’image, Paris, Les Éditions de Minuit, 1988.

Beckett, Samuel: The Image (trans. Edith Fournier), in S. E. Gontarski (ed.): The Complete Short Prose, 1929–1989, New York, Grove, 1995.

Beckett, Samuel: Krapp’s Last Tape, The Complete Dramatic Works, London, Faber and Faber, 1990, 213–223.

Beckett, Samuel: Three Novels, New York, Grove, 2009.

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Kawashima, Takeshi: Conjunction of the Essential and the Incidental: Fragmentation and Juxtaposition; or Samuel Beckett’s Critical Writings in the 1930s, in A. Uhlmann – S. Houppermans – B. Clément (eds.): After Beckett / D’après Beckett, Samuel Beckett Today / Aujourd’hui 14 (2004), 471–473. DOI: https://doi.org/10.1163/18757405-90000205

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Van Hulle, Dirk – Nixon, Mark: Samuel Beckett’s Library, Cambridge and New York, Cambridge University, 2013.

 

Laurens De Vos: THE THEATRICALIZATION OF ENDGAME AS THE PAINTERLY WORLD OF BRAM AND GEER VAN VELDE: CHANGING PERSPECTIVES IN THE POETICS OF CUBISM AND SARTRE’S PHENOMENOLOGY

Beckett, Samuel: Disjecta: Miscellaneous Writings and a Dramatic Fragment, New York, Grove, 1984.

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Jay, Martin: Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought, Berkeley, University of California, 1993. DOI: https://doi.org/10.1525/9780520915381

Juliet, Charles: Conversations with Samuel Beckett and Bram van Velde, Leiden, Academic Press Leiden, 1995.

Knowlson, James: Damned to Fame: The Life of Samuel Beckett, London, Bloomsbury, 1996.

Robbe-Grillet, Alain: Samuel Beckett, or ‘Presence’ in the Theatre, in Martin Esslin (ed.), Samuel Beckett: A Collection of Critical Essays, New Jersey, Englewood Cliffs, 1965, 108–116.

Sartre, Jean-Paul: Being and Nothingness: An Essay on Phenomenological Ontology, trans. Hazel E. Barnes, New York, Philosophical Library, 1956.

 

Patrick Armstrong: SAMUEL BECKETT AND THE SINIC WORLD

Asmus, W. D.: Rehearsal notes for the German premiere of Beckett’s That Time and Footfalls at the Schiller-Theatre Werkstatt, Berlin (directed by Beckett), trans. Helen Watanabe, Journal of Beckett Studies 2 (1977), 83–95.

Beckett, Samuel: The Complete Dramatic Works, London, Faber and Faber, 1986.

Beckett, Samuel: Disjecta: Miscellaneous Writings and a Dramatic Fragment, ed. Ruby Cohn, London, John Calder, 1983.

Beckett, Samuel: Dream Notebook, ed. John Pilling, Reading, Beckett International Foundation, 1999.

Beckett, Samuel: Dream of Fair to Middling Women, ed. Eoin O’Brien and Edith Fournier, Dublin, The Black Cat, 1992.

Beckett, Samuel: Echo’s Bones, ed. Mark Nixon, London, Faber and Faber, 2014.

Beckett, Samuel: The Letters of Samuel Beckett, Vols. 1–3, eds. George Craig et al., Cambridge, Cambridge University, 2009–2014.

Beckett, Samuel: More Pricks Than Kicks, ed. Cassandra Nelson, London, Faber and Faber, 2010.

Beckett, Samuel: Murphy, London, John Calder, 1963.

Beckett, Samuel: That Time, MS 1477/1–10, Beckett Manuscript Collection at the University of Reading, 1974.

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Beckett, Samuel: Worstward Ho, London, John Calder, 1983.

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Cushman, Robert: In a Hellish Half Light, Observer, 23 May 1976.

Dauer, Dorothea: Schopenhauer as Transmitter of Buddhist Ideas, Berne, Lang, 1969.

Davies, Paul: Womb of the Great Mother Emptiness: Beckett, the Buddha and the Goddess, Samuel Beckett Today / Aujourd’hui 9 (2000), 119–132.

Fenollosa, Ernest – Pound, Ezra: The Chinese Written Character as a Medium for Poetry: A Critical Edition, eds. Haun Saussy, Jonathan Stalling, and Lucas Klein, New York, Fordham University, 2008. DOI: https://doi.org/10.1515/9780823238347

Foster, Paul: Beckett and Zen, Somerville, Wisdom Publications, 1989.

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Giles, Herbert A.: The Civilisation of China, Los Angeles, Indo-European Publishing, 2010.

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Knowlson, James: Damned to Fame: The Life of Samuel Beckett, London, Bloomsbury, 1996.

Knowlson, James – Pilling, John: Frescoes of the Skull: The Later Prose and Drama of Samuel Beckett, London, John Calder, 1979.

Kundert-Gibbs, John: No-Thing is Left to Tell: Zen/Chaos Theory in the Dramatic Art of Samuel Beckett, Madison, N. J., Fairleigh Dickinson UP, 1999.

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Lin, Lidan: Chinese Music as a Narrative Model: The Aesthetics of Liu Liu and Metafiction in Samuel Beckett’s Dream of Fair to Middling Women, English Studies 91 (2010), 289–302. DOI: https://doi.org/10.1080/00138381003647608

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Jonathan Bignell: “RANDOM DOTTINESS”: SAMUEL BECKETT AND THE RECEPTION OF HAROLD PINTER’S EARLY DRAMAS

Anon.: The Birthday Party, Cambridge Review, 28 April 1958, http://www.haroldpinter.org/plays/plays_bdayparty.shtml.

Audience Research Report on Waiting for Godot, 26 June 1961, BBC Written Archives Centre, R/9/7/52.

Audience Research Report on Molloy and From an Abandoned Work, 14 January 1958, Caversham, BBC Written Archives Centre, R/9/7/37.

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Darlington, William A.: Mad Meg and Lodger, The Daily Telegraph, 20 May 1958, 10.

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Frost, Everett: Fundamental Sounds: Recording Samuel Beckett’s Radio Plays, Theatre Journal, Vol. 43, No. 3 (1991), 361–376. DOI: https://doi.org/10.2307/3207590

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Mariko Hori Tanaka: SAMUEL BECKETT’S LEGACIES IN CARYL CHURCHILL’S LATER PLAYS

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Anita Rákóczy: SHOES THAT ARE LEFT BEHIND: GÁBOR TOMPA’S BECKETT HERITAGE

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Llewellyn Brown: BODY, THE GAZE, AND ABSTRACTION: FROM SAMUEL BECKETT TO BRUCE NAUMAN

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Yoshiko Takebe: TRANSLATING SILENCE: CORRELATIONS BETWEEN BECKETT, CHEKHOV, AND HIRATA

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Nojima, Mizuho, Cast Interview in The Three Sisters, Dir. Oriza Hirata, Perf. Hiroko Matsuda, Mizuho Nojima, Minako Inoue, DVD, Theatre Television, 2013.

Nornes, Abe Mark: For An Abusive Subtitling, in Lawrence Venuti (ed.): The Translation Studies Reader, 2nd Edition, New York, Routledge, 1999/2004, 447–469.

Takahashi, Yasunari: Qu’est-ce qui arrive? Some Structural Comparisons of Beckett’s Plays and Noh, in Morris Beja, S. E. Gontarski, and Pierre Astier (eds.), Samuel Beckett: Humanistic Perspectives, Columbus, Ohio State University, 1983, 99–106.

Takebe, Yoshiko: Analysis of Beckettian Noh for Contemporary Performing Art, in Shujitsu English Studies 30 (2014), 229–243.

Takebe, Yoshiko: Potentialities of Non-linguistic Modalities in Adaptations of Western Drama, in Invitation to Translation Studies Vol. 14 (2015), Tokyo, The Journal of the Japan Association for Interpreting and Translation Studies, 107–118.

The Three Sisters, Dir. Oriza Hirata, Perf. Hiroko Matsuda, Mizuho Nojima, Minako Inoue, DVD, Theatre Television, 2013.

Yamamoto, Kunihiko: Adventures of Twentieth Century Theatre Challenging the Poetics by Aristotle – Samuel Beckett, Terayama Shuji, Bertold Brecht, in Annual Bulleting of Research and Education at Nara Women’s University Department of Literature 1 (2005), 89–99.

Yamanouchi, Tomio: Dramaturgy, Tokyo, Kinokuniya, 1979.

Yamanouchi, Tomio: Vision of Drama, Tokyo, Hakuosha, 1997.

 

Márton Mesterházi: HOW WE MADE THE HUNGARIAN VERSION OF SAMUEL BECKETT’S ALL THAT FALL

Beckett, Samuel: Collected Shorter Plays, London, Faber and Faber, 1984.

Mesterházi, Márton: Introduction to All That Fall on Hungarian Radio News, 11 January 1968.

 

Gábor Romhányi Török: MY WAY WITH THE WORK OF SAMUEL BECKETT

Beckett, Samuel: Disjecta, London, John Calder, 1983.

Beckett, Samuel: Hogy is van ez (Comment c’est), Budapest, Holnap, 2007.

Beckett, Samuel: Ill Seen Ill Said, London, Calder, 1982.

Beckett, Samuel: Krapp’s Last Tape and Embers, London, Faber and Faber, 1959.

Beckett, Samuel: Mercier és Camier (Mercier et Camier), trans. Gábor Romhányi Török, Budapest, Holnap, 1993.

Beckett, Samuel: Meglehetősen jó nőkről álmodom (Dream of Fair to Middling Women), trans. Gábor Romhányi Török, Budapest, Orfeusz Könyvek, 2001.

Beckett, Samuel: Molloy, trans. Gábor Romhányi Török, Szeged, Szukits, 1998.

Beckett, Samuel: Molloy – Malone meghal – A Megnevezhetetlen (Molloy – Malone meurt – L’Innommable), trans. Gábor Romhányi Török, Budapest, Magvető, 1987.

Beckett, Samuel: Molloy – Malone meghal – A Megnevezhetetlen, trans. Gábor Romhányi Török, Budapest, Európa, 2006.

Beckett, Samuel: Rosszul látom, rosszul mondom (Mal Vu Mal Dit), trans. Gábor Romhányi Török, Budapest, Nagyvilág, 10/1982.

Beckett, Samuel: Three Novels (Molloy – Malone Dies – The Unnamable), London, Picador Ed., 1979.

Calder, John: Samuel Beckett filozófiája (The Philosophy of Samuel Beckett), trans. Gábor Romhányi Török, Budapest, Európa, 2006.

Connor, Steven: Beckett, Modernism and the Material Imagination, Cambridge, Cambridge University, 2014. DOI: https://doi.org/10.1017/CBO9781107444393

Dukes, Gerry: How It Is With Bouncing Bel, Dublin, Irish Times, 31 Oct., 1992, in James Knowlson: Damned to Fame: The Life of Samuel Beckett, London, Bloomsbury, 1996.

Harvey, Lawrence E.: Samuel Beckett Poet & Critic, Princeton, Princeton University, 1970.

Kenner, Hugh: Flaubert, Joyce és Beckett: a sztoikus komédiások (Flaubert, Joyce and Beckett: The Stoic Comedians), trans. Gábor Romhányi Török, Budapest, Kráter, 2006.

Kenner, Hugh: A Reader’s Guide to Samuel Beckett, London, Thames and Hudson, 1973.

Mercier, Vivian: Beckett/Beckett, Oxford, Oxford University, 1979.

 

Nicholas E. Johnson, Néill O’Dwyer, and Enda Bates: SAMUEL BECKETT’S PLAY IN DIGITAL CULTURE: TECHNOLOGIES OF INFLUENCE

Beckett, Samuel: The Letters of Samuel Beckett, 1957–1965, Vol. 3, George Craig – Martha Dow Fehsenfeld – Dan Gunn – Lois More Overbeck (eds.), Cambridge, Cambridge University, 2014.

Benjamin, Walter: The Work of Art in the Age of Mechanical Reproduction, in H. Arendt (ed.) and H. Zohn (trans.): Illuminations, New York, Schocken, 2007 [1955], 217–251.

Cadena, Richard: Automated Lighting: The Art and Science of Moving Light in Theatre, Live Performance, and Entertainment, 2nd edition, Burlington, MA, Focal, 2013. DOI: https://doi.org/10.4324/9780080959740

Knowlson, James – Pilling, John: Frescoes of the Skull: The Later Prose and Drama of Samuel Beckett, London, John Calder, 1979

O’Dwyer, Néill: Death and Ecstasy: Reflections on a Technological Sublime, Proceedings of the European Society of Aesthetics 8 (2016), 354–376.

O’Dwyer, Néill – Johnson, Nicholas: Exploring Volumetric Video and Narrative through Samuel Beckett’s Play, International Journal of Performance Arts and Digital Media, Vol. 15, No.1 (2019), 53–69. DOI: https://doi.org/10.1080/14794713.2019.1567243