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BIOGRAPHICAL NOTES
around 1800. Ed. Linda Dietrick — Birte Giesler, Hannover, Wehrhahn, 2015;
Birte Giesler, Sexualitát als Experiment und die De/Re/Materialisierung von
Geschlecht im ‘Biowissenschaftsdrama’ der Gegenwart: Rolf Hochhuth Un¬
befleckte Empfängnis (1989) und Felicia Zeller Wunsch und Wunder (2015). In:
Limbus. Australian Yearbook of German Literary and Cultural Studies 12 (2019).
Jan L. Hagens’ research focuses on German and comparative drama (1550
to the present), drama theory, and philosophical and theological approaches
to literature. He has published articles on seventeenth-century Jesuit drama,
dramatic genre theory, theater semiotics, German film, Nietzsche, Freud, and
language pedagogy. Hagens studied German literature, English literature, and
Philosophy at the Universität Tübingen, Williams College, the University of
Virginia, and Princeton University, then taught at Carleton College, Eckerd
College, and the University of Notre Dame before joining Yale in 2010. He
serves on the editorial board of Text and Presentation and the conference board
ofthe Comparative Drama Conference.
Däniel Tibor Hegyi graduated from Liszt Ferenc Academy of Music, where
he studied harpsichord (BA). He continued his studies at the Käroli Gäspär
University ofthe Reformed Church, where he received his master’s degree in
theater studies. Currently he is doing his PhD studies at Pazmany Péter Catho¬
lic University in Budapest. His fields of research are theatre studies, theatre
music (opera, etc.), and different types of approaches to realms (or sites) of
memory [les lieux de mémoire].
Jennifer Herdt is Gilbert L. Stark Professor of Christian Ethics at the Yale
University Divinity School. She has published widely on the history of modern
moral thought, notably on virtue, natural law, moral agency, and ethical forma¬
tion. Among her books are Forming Humanity: Redeeming the German Bildung
Tradition (Chicago, 2019) and Putting on Virtue: The Legacy of the Splendid Vices
(selected as a Choice Outstanding Academic Title). The recipient of a research
fellowship from the Alexander von Humboldt Institute, she serves on several
editorial boards and will be serving in 2020 as the President of the Society of
Christian Ethics.
Karina Koppany, theater historian, Bachelor of Liberal Arts, graduated in
2017 from the Karoli Gaspar University of the Reformed Church in Hungary.
During her studies, she also participated in two Erasmus+ programs during
which she had the opportunity to work together with foreign artists. Inter Alia,
a Greek nonprofit organization, recruited her for a performance that focused
on education, democracy, citizenship, and human rights. She played the part of
Antigone in the Hungarian version of Sophocles’ play. For a similar cause, she
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