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022_000045/0000

European politics. Crises, fears, and debates

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Field of science
Európa / Europe (13102), Nemzetközi kapcsolatok / International relations (12875), Globális és nemzetközi kormányzás, nemzetközi jog, emberi jogok / Global and transnational governance, international law, human rights (12880)
Type of publication
tanulmánykötet
022_000045/0144
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022_000045/0144

OCR

Political communication and populism ] 143 popular personalities like Bono, Elton John, Bob Geldof, or Greta Thunberg. Another is the elected politician, whose publicity and popularity are based on political identity and receive similar attention to other well-known people (e.g. Boris Johnson, Emmanuel Macron, Nigel Farage, etc.). This way, we can differentiate two types of political celebrities. Nevertheless, not all celebrities will show interest in political matters, and not all politicians will become celebrities, of course. Image has always been part of modern-day politics. Nowadays, the image of a competent politician is not attractive enough in itself for the voters. There is a need for more by which people can feel the given politician is closer to them. Being a celebrity helps achieve this. A celebrity politician is neither good, nor bad per se in today’s political culture, but a phenomenon that is all over the place (West and Orman, 2003). At the same time, public expectations towards the politicians are close to that of a celebrity entertainer (Inthorn and Street 2011, 486-487). In essence, the theory of network logic implies that politics grasps the regularities of social media. Scholars separated three processes where the mass media logic and the network media logic can be detected. These are production, content distribution, and media usage (Klinger and Svensson 2015, 1247-1251). In the logic of mass media, production is costly, as it must meet traditional ethical and moral standards. Professional journalists work on news sorting and content production. Their primary task is content-making. When journalists sort out specific content details, they decide what is to be brought to the public’s attention and what remains outside the media. The determining powers are the audience's interests, profit expectations, and the owner's intentions in this process. In network logic, production is not costly. In fact, it is close to zero, as news sorting and content production is performed by the users who are not professionals. Their central aim is to distribute the content to as many users as possible in order to become well known and popular. Content distribution is done by professionals in the logic of mass media that implies content sorting as well. The organising principle is based on evolving standards, such as determining the news value. At the end of the distribution chain, we find the audience that subscribes to services (buy the magazine, subscribe to the cable TV package, pay for TV subscription, or devote time to commercial blocks). In the network logic, the role of users is similar to intermediates regarding content distribution. They try to share contents that are thought to be popular and build networks that are kept in fluid unity by similar fields of interest and common principles, or the image of opinion leaders. This unity is fluid because the elements of the networks can continuously change according to actual trends.

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1830 px
Image height
2834 px
Image resolution
300 px/inch
Original File Size
1.21 MB
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022_000045/0144.jpg
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022_000045/0144.ocr

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