Oldal 7 [7]
TABLE OF CONTENIS
——o—
INTRODUCTION. MULTILINGUALISM AND CODE-SWITCHING
IN LITERATURE AND PERFORMATIVE ARTS ........................ 7
LITERARY CODE-SWITCHING
HELGE DANIELS: The Politics and Poetics of Language Use
in “The Parisian or Al-Barisi” of Isabella Hammad ....................... 23
MARGARITA MAKAROVA: Interference in Literary Texts Written
in French by Russian-French Authors (1990—2000) ...................... 45
MALOU BROUWER: Poems-as-language-lessons. Translingualism
in Naomi Mcllwraith’s kiya ....................,...........,,...,, 53
LEVENTE SELAF: “Um mich neu zu machen”. Switching the Language
of Poetry by Jacques Jouet............................................. 63
LisA SCHANTL: First Language Roots. Intra-sentential Literary
Code-switching in ESL Poetry and Prose ............................... 71
CODE-SWITCHING IN PERFORMATIVE ARTS
EnıKö Sepsı: Multilinguality in the Work of Robert Wilson
(Oedipus 2021, Budapest) ............................................. 89
Jupit Mupriczxi: Multimodal Transformations of A Midsummer Night’s Dream.
Switching Verbal Codes into Audiovisual Codes for Dubbing Shakespeare
into Hungarian..............................,....,..,,.,,...444.0 99
LASZLO CSERESNYESI: Cultural Code-switching. Variations
on a Chekhovian Theme ............................................. 109
ATTILA MOLNAR: Performative German in Sändor Väly’s Die Toteninsel ....... 119
Monika DANEL: National Legacy in Transnational and Transmedial Transposition.
Accented Hungarian Cinema (Roland Vranik: The Citizen, 2016) .......... 127