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022_000133/0000

Shakespeare’s Art of Poesy in King Lear. An emblematic mirror of governance on the Jacobean stage

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Author
Judit Mudriczki
Field of science
Irodalomtörténet / History of literature (13020)
Series
Collection Károli. Monograph
Type of publication
monográfia
022_000133/0124
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022_000133/0124

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WORKS CITED KNOWLES, Richard: How Shakespeare Knew King Leir, Shakespeare Survey 55 (2002), 12—35. ---: The Evolution of the Texts of Lear, in Jeffrey Kahan (ed.): King Lear: New Critical Essays. Volume 33 of Shakespeare criticism, New York, Routledge, 2008, 124-154. LisAk, Catherine: An Essay in Comparison: Shakespeare’s «Technical Inventiveness» in the Light of George Puttenham’s Arte, in Shakespeare and Ses Contemporains. Société Française Shakespeare, Actes du Congrès de 2002, 2002, 125-141. Mack, Maynard: King Lear in Our Time, Berkeley, University of California Press, 1972. MANGAN, Michael: Elizabethan and Jacobean Tragedy, in Michael Mangan: A Preface to Shakespeare’s Tragedies, London—NewYork, Longman, 1991, 58-104. Marcus, Leah S.: Retrospective: King Lear on St. Stephen’s Night, 1606, in Leah S. Marcus: Puzzling Shakespeare. Local Reading and its Discontents, Berkeley, Los Angeles, London, University of California Press, 1988, 148-159. McALINDON, Tom: Tragedy, King Lear and the Politics of the Heart, Shakespeare Survey 44 (1991), 85-90. MCDOWELL, Sean: Ihe View from the Interior: The New Body Scholarship in Renaissance/Early Modern Studies, Literature Compass 3:4 (2006), 778-791. MENDONGA, Barbara Heliodora Carneiro De: The Influence of Gorboduc on King Lear, Shakespeare Survey 13 (1966), 78-104. Muir, Kenneth: Samuel Harsnett and King Lear, The Review of English Studies 2:5 (1951), 11-21. NAJBAUER, Noémi Maria: “The Art of Salvation, is but the Art of Memory”: Memory as Art and Devotion in the Sermons of John Donne, unpublished Ph.D. dissertation, Budapest, 2010. NORLAND, Howard B.: Drama in Early Tudor Britain, 1485-1558, Lincoln, NB, University of Nebraska Press, 1995. OTTO, Beatrice K.: Facets of the Fool, in Beatrice K. Otto: Fools are everywhere: the court jester around the world, Chicago, University of Chicago Press, 2001, 1-46. PATTERSON, Annabel M.: “Betweene our sentence and our power:” King Lear and the double text, in Annabel M. Patterson: Censorship and interpretation. The Conditions of Writing and Reading in Early Modern England, London and Madison, University of Wisconsin Press, 1984, 58-73. ---: Shakespeare and the Popular Voice, Cambridge, MA-Oxford, Cambridge University Press, 1989. PHILLIPS, Owen Hood: Trial Scenes, in Owen Hood Phillips: Shakespeare and the Lawyers, London—New York, Routledge, 2005 [1972], 84-90. * 123

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