OCR Output

WORKS CITED

KNOWLES, Richard: How Shakespeare Knew King Leir, Shakespeare Survey 55
(2002), 12—35.

---: The Evolution of the Texts of Lear, in Jeffrey Kahan (ed.): King Lear: New
Critical Essays. Volume 33 of Shakespeare criticism, New York, Routledge,
2008, 124-154.

LisAk, Catherine: An Essay in Comparison: Shakespeare’s «Technical
Inventiveness» in the Light of George Puttenham’s Arte, in Shakespeare and
Ses Contemporains. Société Française Shakespeare, Actes du Congrès de 2002,
2002, 125-141.

Mack, Maynard: King Lear in Our Time, Berkeley, University of California
Press, 1972.

MANGAN, Michael: Elizabethan and Jacobean Tragedy, in Michael Mangan:
A Preface to Shakespeare’s Tragedies, London—NewYork, Longman, 1991,
58-104.

Marcus, Leah S.: Retrospective: King Lear on St. Stephen’s Night, 1606, in Leah
S. Marcus: Puzzling Shakespeare. Local Reading and its Discontents, Berkeley,
Los Angeles, London, University of California Press, 1988, 148-159.

McALINDON, Tom: Tragedy, King Lear and the Politics of the Heart, Shake¬
speare Survey 44 (1991), 85-90.

MCDOWELL, Sean: Ihe View from the Interior: The New Body Scholarship in
Renaissance/Early Modern Studies, Literature Compass 3:4 (2006), 778-791.

MENDONGA, Barbara Heliodora Carneiro De: The Influence of Gorboduc on
King Lear, Shakespeare Survey 13 (1966), 78-104.

Muir, Kenneth: Samuel Harsnett and King Lear, The Review of English Studies
2:5 (1951), 11-21.

NAJBAUER, Noémi Maria: “The Art of Salvation, is but the Art of Memory”:
Memory as Art and Devotion in the Sermons of John Donne, unpublished
Ph.D. dissertation, Budapest, 2010.

NORLAND, Howard B.: Drama in Early Tudor Britain, 1485-1558, Lincoln, NB,
University of Nebraska Press, 1995.

OTTO, Beatrice K.: Facets of the Fool, in Beatrice K. Otto: Fools are everywhere:
the court jester around the world, Chicago, University of Chicago Press,
2001, 1-46.

PATTERSON, Annabel M.: “Betweene our sentence and our power:” King
Lear and the double text, in Annabel M. Patterson: Censorship and inter¬
pretation. The Conditions of Writing and Reading in Early Modern England,
London and Madison, University of Wisconsin Press, 1984, 58-73.

---: Shakespeare and the Popular Voice, Cambridge, MA-Oxford, Cambridge
University Press, 1989.

PHILLIPS, Owen Hood: Trial Scenes, in Owen Hood Phillips: Shakespeare and
the Lawyers, London—New York, Routledge, 2005 [1972], 84-90.

* 123