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WORKS CITED FABINY, Tibor: The Eye as a Metaphor in Shakespearean Tragedy: Hamlet, Cordelia and Edgar: Blinded Parents’ Seeing Children, in K. Kürtôsi — J. Pal (eds.): Celebrating Comparability, Szeged, JATE University Press, 1994, 461-478. FLOYD—WILSON, Mary — GREENFIELD, Matthew — PASTER, Gail Kern — POLLARD, Tanya —ROWE, Katherine — YATES, Julian: Shakespeare and Embodiment: An E-Conversation, Literature Compass 2 (2005), 1-13. FoAKES, Reginald Armstrong: Introduction, in William Shakespeare: King Lear, Reginald Armstrong Foakes (ed.), The Arden Shakespeare. Third series, London, Thomson Learning, 1997, 1-151. ---: Hamlet versus Lear. Cultural Politics and Shakespeare’s Art, Cambridge, Cambridge University Press, 1993. FOLpvARY, Kinga: Humanist-Human—Humane? Poverty and Humanitartian Aid in Elizabethan England, in Zsolt Almási — Mike Pincombe (eds.): Writing the Other: Humanism versus Barbarism in Tudor England, Newcastle upon Tyne, Cambridge Scholars, 2008, 216-230. FRASER, Russel: Anarchy and Order, in Russel Fraser: Shakespeare’s Poetics in Relation to King Lear, London, Routledge—Kegan Paul, 1962, 61-84. Frye, Northrop: Northrop Frye on Shakespeare, ed. Robert Sandler, New HavenLondon, Yale University Press, 1986. FREEMAN, Donald C.: “According to my bond:” King Lear and Re-cognition, Language and Literature 2 (1993), 1-18. GILLESPIE, Stuart: Shakespeare’s Books, Athlone Shakespeare Dictionary Series, London—New Brunswick, NJ, Athlone, 2001. GRABES, Herbert: The Mutable Glass. Mirror-imagery in Titles and Texts of the Middle Ages and English Renaissance, trans. Gordon Collier, Cambridge, Cambridge University Press, 1982. GREENBLATT, Stephen: Shakespeare and the Exorcists, in Patricia Parker and Geoffrey Hartman (eds.): Shakespeare and the Question of Theory, New York, Methuen, 1985, 163-187. GULSTAD, William: Mock-trial or witch-trial in King Lear?, Notes and Queries 41:4 (1994), 494-497, HALE, David George: The Body Politic. A Political Metaphor in Renaissance English Literature, The Hague—Paris, Mouton, 1971. HAMMOND, Paul: James I’s Homosexuality and the Revision of the Folio Text of King Lear, Notes and Queries 44:1 (1997), 62-64. HANKINS, John Erskine: Backgrounds of Shakespeare’s Thought, Hassocks, Sussex, The Harvest Press, 1978. HappE, Peter: Allegorical Kings as Staged by Skelton and Lindsay, in Peter Happé (ed.): Tudor Theatre. Allegory in the Theatre. Lallégorie au theater, Collection Theta, Volume 5., Bern, Peter Lang, 2000, 77-89. ---: Fansy and Foly: the Drama of Fools in Magnyfyncence, Comparative Drama 27:4 (1994), 426-452. e 121 e
