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022_000133/0000

Shakespeare’s Art of Poesy in King Lear. An emblematic mirror of governance on the Jacobean stage

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Author
Judit Mudriczki
Field of science
Irodalomtörténet / History of literature (13020)
Series
Collection Károli. Monograph
Type of publication
monográfia
022_000133/0121
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022_000133/0121

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SHAKESPEARE’S ART OF POESY IN KING LEAR BULLOUGH, Geoffrey: Narrative and Dramatic Sources of Shakespeare Vol. VII Major Tragedies: Hamlet, Othello, King Lear, Macbeth, London, Routledge, 1973, 269-308. CAMDEN, William: Remaines of a Greater Work Concerning Britaine, the inhabitants thereof, their Languages, Names, Surnames, Empreses, Wise Speeches, Poésies, and Epitaphes, London, printed by G. E., 1605. CAMPBELL, John Lord: King Lear, in John Lord Campbell: Shakespeare’s Legal Acquirements, New York, D. Appleton & Co., 1859, 97-103. CAMPBELL, Lily Bess: Poetical Mirrors of History, in Lilly Bess Campbell: Shakespeare’s “Histories”: Mirrors of Elizabethan Policy, London—New York, Routledge, 2004 [1947], 106-116. CLEGG, Cyndia Susan: King Lear and the Early Seventeenth-century Print Culture, in Jeffrey Kahan (ed.): King Lear: New Critical Essays. Volume 33 of Shakespeare criticism, New York, Routledge, 2008, 155-184. CLEMEN, W. H.: King Lear, in W. H. Clemen: The Development of Shakespeare’s Imagery, Cambridge, MA, Harvard University Press, 1951, 133-153. COLIE, Rosalie: Shakespeare’s Living Art, Princeton, Princeton University Press, 1974. CURTIUS, Ernst Robert: European Literature and the Latin Middle Ages, trans. Willard R. Trask, Princeton, NJ, Princeton University Press, 1973. DALY, Peter M.: The Case for the 1593 Edition of Thomas Combe’s Theater of Fine Devices, Journal of the Warburg and Courtauld Institutes 49 (1986), 255-257. DEBAX, Jean-Paul: Complicity and Hierarchy: a Tentative Definition of the Interlude Genus, in Peter Happé — Wim Hiisken (eds.): Interludes and Early Modern Society. Studies in Gender, Power and Theatricality, AmsterdamNew York, Rodopi, 2007, 23-42. DESsMET, Christy: Character Criticism, in Stanley Wells—Lena Cowen Orlin (eds.): Shakespeare. An Oxford Guide, Oxford, New York, Oxford University Press, 2003, 351-372. ---: To See Feelingly: Vision, Voice, and Dramatic Illusion in King Lear, in Christy Desmet: Reading Shakespeare’s Characters: Rhetoric, Ethics, and Identity, Amherst, Massachusetts University Press, 1992, 112-133. Dopp, William: Impossible Worlds: What Happens in King Lear, Act 1, Scene 1?, Shakespeare Quarterly 50 (1999), 477-507. ELTON, W. R.: King Lear and the Gods, Lexington, University Press of Kentucky, 1988. ---: Shakespeare and the Thought of his Age, in Stanley Wells (ed.): The Cambridge Companion to Shakespearean Studies, Cambridge—New York, Cambridge University Press, 1986, 17-33. Evans, John X.: Erasmian Folly and Shakespeare’s King Lear: A Study in Humanist Intertextuality, Moreana 27:103 (1990), 3-23. «120 +

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