OCR Output

HINDUIZMUS ÉS A MÉDIA A 21. SZÁZADBAN

Das, Srijana M.: „Partition and Punjabiyatin Bombay cinema: The cinematic perspectives
of Yash Chopra and others.” Contemporary South Asia, 15. €vf., 4, 2007, 453-471.
https://doi.org/10.1080/09584930701330048

Das, Samrat: „Bollywood and The Art Of Propaganda.” Newslaundry. 2019. február 5.
https://www.newslaundry.com/2019/02/05/bollywood-and-the-art-of-propa¬
ganda?fbclid=IwAR1GSwOE4U-Znlpe3-8jmK Ral VIApgj-mYwmy3Fa4DfD¬
PNHxBgo-tgsRoRE

De, Anindiya - Nandi, Rohit: What’s (up) with Hinduism? Digital culture and religion
among Bengali Hindus. In Zeiler, Xenia (szerk.): Digital Hinduism. Routledge,
London és New York, 2019, 13-34. https://doi.org/10.4324/9781315107523-2

Dodd, Karl V.: ,, Sita Sings The Blues.” Journal of Religion & Film, 13. évf., 2, 2016, 1-7.

Dua, Mihir: , Sound And Fury: The Voices Creating Aggressive Hindutva’s Soundtrack.”
The Indian Express, 2019. januar 22. https://indianexpress.com/article/express-sun¬
day-eye/aggressive-hindutva-soundtrack-fury-internet-5545915/

Dudrah, Rajinder K.: Bollywood: Sociology goes to the movies. Sage, London és New York,
2006.

Du Perron, Lalita: Hindi poetry in a musical genre: Thumri lyrics. Routledge, London és
New York, 2007. https://doi.org/10.4324/9780203968062

Dutta, Amrita N.: ,DD viewership down by nearly 50% after Ramayan ends, plans afoot
to bring back Vishnu Puran.” The Print, 2020. äprilis 30. https://theprint.in/india/
dd-viewership-down-by-nearly-50-after-ramayan-ends-plans-afoot-to-bring-back¬
vishnu-puran/412175/

Dwyer, Rachel: Filmingthe Gods: Religion and Indian cinema. Routledge, London &s New
York, 2006. https://doi.org/10.4324/9780203088654

Dwyer, Rachel: Hinduism. In Lyden, John C. (szerk.): Routledge Companion to Religion and
Film.Routledge, London 2009, 141-161. https://doi.org/10.4324/9780203874752

Dwyer, Rachel: , Bollywood’s India: Hindi Cinema As a Guide to Modern India.” Asian
Affairs, 41. évf. 3, 2010, 381-389. https://doi.org/10.1080/03068374.2010.508231

Dwyer, Rachel: , Fire and Rain, The Tramp and The Trickster: Romance And The Family
In The Early Films Of Raj Kapoor.” The South Asianist Journal, 2. évf., 3, 2013, 9-32.

Dwyer, Rachel: Bollywood's India: Hindi cinema as a guide to contemporary India. Reaktion
Books, London, 2014.

Dwyer, Rachel: , Calling God on the Wrong Number: Hindu-Muslim Relations in PK
(2014) and Bajrangi Bhaijaan (2015).” The Muslim World, 2017, 107. évf., 2, 2017,
256-270. https://doi.org/10.1111/muwo.12189

Erndl, Kathleen M.: , Woman Becomes Goddess in Bollywood: Justice, Violence, and the
Feminine in Popular Hindi Film.” Journal of Religion & Film, 17. évf., 2, 2013, 1-30.

Farmer, Victoria L.: Mass Media: Images, Mobilization and Communalism. In Ludden,
David (szerk.): Contesting the Nation: Religion, Community and the Politics of De¬
mocracy in India. University of Pennsylvania Press, Philadelphia 1996, 98-115.

Gamberi, Valentina: , Escaping from Rama: Portraits of Indian women.” Culture and Re¬
ligion, 15. évf., 3, 2014, 354-372. https://doi.org/10.1080/14755610.2014.945469

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