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TSERENTULGA TÜMENBAYAR of gür song. In this there were used horn trumpet, large bugle, bell, and double-faced hand drum and the melodies of these instruments make everyone imagine that when crafting the Goddess finished, Green Tara enlivened and by radiating light of mercy and grace, they celebrated their defending scholarly degree. This way, it can be called as the work bringing the joy because of ease felt in hearts. At the end, there is played the melody with accompaniment of all musical instruments of national orchestra and that melody brings joyful ease making deep thinking arise because of its character of lyrical meditation. Among his religious works, there are many praying songs and odes including the Canto for mantra of goddess Yanjinlkham, Ode for 21 temples dedicated to the reestablishment of 21 temples of the Buryats (lyrics by Tsyren-Khanda Daribazarowa), Ode praying for Dsanabadsar, which is of the character of lyrical meditation and for which yatga, morin khuur, bell, double-faced hand drum, flute, attuned bell (Mong. kög-tei gonggu), khöömii (Mong. kögemei) were used and extension of vibrato notes of long-drawling song (Mong. sirunggai) (lyrics by Ts. Tümenbayar). The unique feature of religious works by B. Mönkhbold is the use of religious service melody with simultaneous accompaniment of religious musical instruments as drum, bell, double-faced hand drum, ganlin, large bugle, and cymbal, thus creating modern musical composition in which conspicuously displayed music tradition of Buddhism. Dun buree Tsan Khengereg Ever buree Fig. 10. Musical instruments. 294
