ByPxAH BATII B KAJIMbILIKUX CKA3KAX (MeHKkeHoBa, KepMenH) ..….................................... 122
AJITAÚH VPHAHXAÜH TOT99H XYBEUITAA/IBIH TVXAÜ TYYXUÜH AMAH VIAMXAJIAJIBIH
OTYYJIDXYÜ HE (Cp6a, OHAPEÏ) esse 129
“GESER-ÜN SANG”-UN BÜTECE-YI DÜKÜM SINJILEKÜ NI (AValayU)...................................... 149
CENGGUNjABA’s Worsuip: AN ANCIENT RITUAL IN MONGOLIA IN THE 19TH CENTURY
(Odbayar, Ganbaatar) sien 154
MORTOJIWYY/IBIH CYCOT BAILIPOIMAH TOJIOB BAÂJIAJI
(IIlyposcypou, b. — AnraiiOaarap, XK. - Monxnanparr, B.) eeeeeeeeeeeeereeee 169
Tradition of eminent persons
MOHTOI JIAM HAPBIH T'OPOJI 3YPAT HOM BYTDOU (BSIMBAA, PATYAATHÜH) 0... eeeeeeeeeeeeeeeee 183
N.F. Katanov’s TRAVEL TO THE URYANKHAI (1889) AND HIS MONGOLIAN STUDIES
(Valeev, Ramil M. — Martynov, Dmitry E. — Martynova, Yulia A. —
Valeeva, ROZA Z.)..cccccccccesesscesseseeseeseeseeseeseeseesecseeseesecsecsecsecsecsensecsecsecsecsecseeseeeeneenaes 221
MonToJI [IAJIAÜ JIAM BA Monrojrgyyn (JHxu31orT, JlyrapcypoHrHÚH) .......................... 227
Traditional art, iconography and music
THE RED PROTECTOR DEITY oF MONGOLIA (Möngönchimeg, Batmönkhb) ....................... 251
XAJIXBIH 3ACATT XAH AÜMTHŰH JKAJIXAH3 XYTATTBIH IIABHÜŰH HYTTHÜH XOEP 3yPAT
(MexxGaarap, ImxkupôaaTaperx) 259
THE UNIQUE PITCH AND TONE ARRANGEMENT IN M44N’ AND MEGDSEM
(Narantsatsral, Delgerkhüü)........................................... 273
TUNING WESTERN AND EASTERN Music By G. BIRWAA AND B. MONKHBOLD WITH
ACCOMPANIMENT OF Musical INSTRUMENT OF BUDDHISM
(Tümenbayar, Tserentulga) ss 278
“YX9IT”-HÜAH TYXAÏ OÏJITOIT VPAH 30XHOJJI OYPCJIOTOCJH ACYYJAJIN [Jo. L[DHJOKABBIH
“MaHr3”, Asafi KVHAHPAEBBIH “1896” OTYYJUIOTHŰH XKUIIID39H /133P
(Pu3A, BAHTABHIIBIH)
ByPXHbI INAIIMH XUÜTIIN MOHTOJIBIH OPYUH YENMÜH POMAH “MOHTOJIbIH OPUHH
YEMÜH POMAHJ HIDPCOH BYPXAH IHAIIUHBI Y3DIT” (XACXYY)................................. 307
THE RENEWAL OF MONGOLIAN BUDDHIST TERMINOLOGY (Péter, Alexa) ............................ 317
TAJITAXHA Tati [/DMAH XYPJIBIH XOÜP BYPX XAJIRJIhHA TYYXKAC (KoBaeBa, bawp) .......... 329
CREATING MONGOL DSURAG AND RE-CREATING BUDDHIST ART TRADITION IN MONGOLIA
(Lang, Maria-Katharina — Tsetsentsolmon, Baatarnaran) ...................................... 333
COMBINING THE ANCIENT AND THE MODERN: PROVIDING A DOCUMENTED RECORD
OF RussIA’s PAST AND PRESENT MONASTERIES WITH OPEN ACCESS ON THE WEB
(Syrtypova, Surun-Khanda D. — Byrne, Susan C.)
1990 OHOOC XONMINNX CYM XMÜAYYAHUÜH CAPTIATA3X YENÜH HOXIOJI BAMJAII
(YHapax, ANTAHNIUITHÄRH)..eeeeeseessensensneesnennesnnnnennnsnensennnenneennnsnnnsennnsnonsennnne 371