Page 320 [320]
OCR
ENIKŐ SEPSI PIGUET, Patrick, Reconnaissane d’un drame, entretien avec Valére Novarina, Communio, 5, ‘Littérature et Vérité”, 2014, 17-29. SCHECHNER, Richard, Performance Theory, Taylor & Francis e-Library, 2004. SEPSI, Enik6, Poésie sans « je » dans l’espace: le théâtre de Valère Novarina et de János Pilinszky, in József Fülöp, Zsuzsanna Mirnics, Miklós Vassányi, Gabriella Szilvia Kuhn, (eds.), Kapcsolatban-Istennel és emberrel: Pszichológiai és bölcsészeti tanulmányok (Getting Connected—with God and Man. Papers in Psychology and Philology), Budapest, KRE — LHarmattan, Károli Könyvek, 2014, 361-371. SEPSI, Enikő, On Bearing Witness to a Poetic Ritual: Robert Wilson’s Deafman Glance as seen by Janos Pilinszky, in Jay Malarcher (ed.), Text & Presentation, 2017, The Comparative Drama Conference Series, 14, McFarland, 2018, 167-179. Talking with Angels, A document from Hungary transcribed by Gitta Mallasz, transl. by Robert Hinshaw, Daimon Verlag, Einsiedeln, 2006. (Az angyal válaszol, Dokumentum, Budapest, Fekete Sas Kiadó, 2010.) TILLICH, Paul, Systematic Iheology Vol II. Chicago, University of Chicago Press, 1957. FILMOGRAPHY/DISCOGRAPHY L’Acte inconnu de Valére Novarina, CEuvres accompagnées 03, CNDP, 2010. L'Amour est voyant, film directed by Attila Mispal, Duna Television, 2011. Training at Grotowski’s Teatre-Laboratorium in Wroclaw with Ryszard Cieslak. Plastic and Physical Training (1972) — Odin Teatret Film, director: Torgeir Wethal. * 318 * Daréczi-Sepsi-Vassänyi_Initiation_155x240.indb 318 6 2020.06.15. 11:04:26
