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022_000071/0000

Initiation into the Mysteries. A Collection of Studies in Religion, Philosophy and the Arts

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Field of science
Irodalomelmélet, összehasonlító irodalomtudomány, irodalmi stílusok / Literary theory and comparative literature, literary styles (13021)
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Collection Károli. Collection of Papers
Type of publication
tanulmánykötet
022_000071/0303
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022_000071/0303

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ANITA RÁKÓCZY be ignored. However, in Beckett’s case there are no accidents of such kind: in the copy of the original shooting script of Film in the University of Reading’s Samuel Beckett Collection, after the destruction of God’s image, Beckett deliberately returns to the “wall where print was and nail”*® three times, in three close-ups (no. 159, 169, and 199). In the remaining part of Film, O is compelled to face the embodied absence of the divine, an indestructible presence even in its absence. At the end, when Object can no longer avoid Eye, their encounter is not a pleasant one. O’s features are filled with horror, when he sees his own one-eyed face and the black patch. However, at the devastating moment, the two selves of the same person become one and unite again, and the absent image of God, the clear white spot with the nail, appears on the wall once more, signalling not annihilation but a new beginning. MANUSCRIPTS CONSULTED BECKETT, Samuel, untitled, unpublished, undated typescript, Abandoned Theatre in French, Beckett Manuscript Collection, University of Reading, MS 1227/7/16/2. BECKETT, Samuel, Avant Fin de partie, undated, unpublished typescript. Beckett Manuscript Collection, University of Reading, MS 1227/7/16/7. BECKETT, Samuel, stencilled typescript shooting scenario for Film, dated 20 July 1964, Beckett Manuscript Collection, University of Reading, MS 1227/7/6/2. BIBLIOGRAPHY ASTRO, Alan, Understanding Samuel Beckett, Columbia, University of South Carolina Press, 1992. BECKETT, Samuel, The Complete Dramatic Works, London, Faber and Faber, 1990. BRYDEN, Mary, Samuel Beckett and the Idea of God, London, Macmillan Press Ltd, 1998. CAVELL, Stanley, Must We Mean What We Say? A Book of Essays, Cambridge, Cambridge University Press, 2002. Coun, Ruby, A Beckett Canon, Michigan, The University of Michigan Press, 2005. 50 Samuel Beckett, Stencilled typescript shooting scenario for Film, dated 20 July 1964, Beckett Manuscript Collection, University of Reading, MS 1227/7/6/2, 30. + 302 ¢ Daréczi-Sepsi-Vassänyi_Initiation_155x240.indb 302 6 2020.06.15. 11:04:25

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