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022_000071/0000

Initiation into the Mysteries. A Collection of Studies in Religion, Philosophy and the Arts

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Field of science
Irodalomelmélet, összehasonlító irodalomtudomány, irodalmi stílusok / Literary theory and comparative literature, literary styles (13021)
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Collection Károli. Collection of Papers
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tanulmánykötet
022_000071/0126
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Seite 127 [127]
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022_000071/0126

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WORDING THE SILENCE: INITIATORY READING OF MYSTICAL TEXTS Because this is what God is, therefore one shall let Him enjoy Himself in all the works of His clarity, Sicut in celo et in terra, always with words and with works saying: Fiat voluntas tua. (41-45) Om dies dit god es / daer omme salmenne sijns selues laten ghebruken / in al sinen werken van siere claerheit / Sicut in celo et in terra | Altoes met woerden ende met werken te segghene: / Fiat voluntas tua. There is no concrete admonition here; it is as if Hadewijch could now allow herself to address her reader at a more abstract level and to formulate another core message of the Letters in its most concise form: Fiat voluntas tua. This is the unmistakable culmination of the great enigmatic beginning of the Letters. The message with which she leaves the addressee at a certain point: she must open (ontpluken) her eyes herself, see God (and herself in the divine clarity) and allow herself to have fruition (ghebruken) of God. KNOWING BY FEELING A quest for passages about speaking and keeping silent leads naturally to those letters where — like in her very first one — Hadewijch states the kernel of her mystical teaching. In Letter 17 she describes the insight, given her directly by God, concerning the complexity of the experience in union. There is a constant back-and-forth movement between, on the one hand, the human level where commandments apply to ‘works’ (werken) among humans and, on the other hand, the divine level where other commandments (actually prohibitions) are in force, the need for ‘resting’ (rasten) in God - in other words, between earth and heaven. The juxtaposition that permeates the structure of the text is not a contradiction but a paradox — one must learn, by experience, how one can find the balance between ‘working’ and ‘resting’ — there is an ineffable level of existence, only accessible by one’s own experience, where working and resting, human and divine, are one. In the focus of Letter 17 Hadewijch expresses simultaneously both the apex of the experience of union as well as the ineffability of that experience (101122). Hadewijch relates that she had been taken up into the unity of God: There He took Him together with me and me together with Him. Daréczi-Sepsi-Vassänyi_Initiation_155x240.indb 125 6 2020.06.15. 11:04:16

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