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TABLE OF CONTENTS MartTIN Moors: Which Initiation does not Lead Astray from the True Mysteries? The Later Schelling’s Quest for a True Method Compared with the Pre-critical and Critical Kant .............. 221 ORSOLYA HORVÁTH: Hermeneutical Borderline Situations— Kierkegaard and the Compelling Sign ............................ 243 |KATE Larson]: Authentic Presence—A Phenomenology of Initiation. . . . . 251 PART 3: ARTS AND LITERATURE GYÖRGY ZOLTÁN Józsa: Initiation Drama in Russian Symbolism . . . . . . . 259 LENA SZILARD: The Development of the Genre of the Initiation Novel in 20"-century Russian Literature—Mikhail Bulgakov’s The Master and Margarita . .......................... 273 KATALIN G. KALLAy: Initiation and its Travesty in The River by Flannery O’Connor..................,.................. 285 ANITA RÁKÓCZY: Denials of the Divine: Traces of Ineluctable Presence in the Antecedents of Samuel Beckett’s Fin de partie, Endgame, and Film . .293 ENIKO SeEpsi: Theatrical Approaches to Mystery: “Kenosis” in Valère Novarina’s Works .................... 305 JOHANNA Domokos: Endurance Running as Initiation into the Mysteries. A Case Study based on the Fiction of Jari Ehrnrooth............. 319 MELINDA SEBOK: The Aesthetics of Silence in Gyérgy Rénay’s Poetry. ... . 333 “6° Daréczi-Sepsi-Vassänyi_Initiation_155x240.indb 6 6 2020.06.15. 11:04:09
