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TABLE OF CONTENTS
MartTIN Moors: Which Initiation does not Lead Astray from
the True Mysteries? The Later Schelling’s Quest for a True Method
Compared with the Pre-critical and Critical Kant .............. 221
ORSOLYA HORVÁTH: Hermeneutical Borderline Situations— Kierkegaard
and the Compelling Sign ............................ 243
|KATE Larson]: Authentic Presence—A Phenomenology of Initiation. . . . . 251
PART 3: ARTS AND LITERATURE
GYÖRGY ZOLTÁN Józsa: Initiation Drama in Russian Symbolism . . . . . . . 259
LENA SZILARD: The Development of the Genre of the Initiation Novel
in 20"-century Russian Literature—Mikhail Bulgakov’s
The Master and Margarita . .......................... 273
KATALIN G. KALLAy: Initiation and its Travesty in The River by Flannery
O’Connor..................,.................. 285
ANITA RÁKÓCZY: Denials of the Divine: Traces of Ineluctable Presence in
the Antecedents of Samuel Beckett’s Fin de partie, Endgame, and Film . .293
ENIKO SeEpsi: Theatrical Approaches to Mystery:
“Kenosis” in Valère Novarina’s Works .................... 305
JOHANNA Domokos: Endurance Running as Initiation into the Mysteries.
A Case Study based on the Fiction of Jari Ehrnrooth............. 319
MELINDA SEBOK: The Aesthetics of Silence in Gyérgy Rénay’s Poetry. ... . 333
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