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022_000057/0000

The Multi-Mediatized Other. The Construction of Reality in East-Central Europe, 1945–1980

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Field of science
Antropológia, néprajz / Anthropology, ethnology (12857), Kultúrakutatás, kulturális sokféleség / Cultural studies, cultural diversity (12950), Társadalomszerkezet, egyenlőtlenségek, társadalmi mobilitás, etnikumközi kapcsolatok / Social structure, inequalities, social mobility, interethnic relations (12525), Vizuális művészetek, előadóművészetek, dizájn / Visual arts, performing arts, design (13046)
Type of publication
tanulmánykötet
022_000057/0604
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022_000057/0604

OCR

Historical Reenactment in Photography: Familiarizing with the Otherness of the Past? Lowenthal D. 2011 [1985]. The Past Is a Foreign Country. Cambridge & New York: Cambridge University Press. Lutkehaus N. & Cool J. 1999. Paradigms Lost and Found: “The Crisis of Representation” and Visual Anthropology. In: J.M. Gaines & M. Renov (eds.), Collecting Visible Evidence. Minneapolis: University of Minnesota Press, pp. 434-454. McCalman I. & Pickering PA. (eds.). 2010. Historical Reenactment: From Realism to the Affective Turn. Basingstoke: Palgrave MacMillan. Mitchell W.J.T. 2005. What Do Pictures Want? The Lives and Loves of Images. Chicago: University of Chicago Press. Nora P. 1989. Between Memory and History. Les Lieux de Mémoire. Representations, vol. 26, pp. 7-24. Reisinger Y. & Steiner C. 2006. Reconceptualizing Object Authenticity. Annals of Tourism Research, vol. 33, no. 1, pp. 65-86. Rosenstone R.A. 1988. History in Images/History in Words: Reflections on the Possibility of Really Putting History onto Film. American Historical Review, vol. 93, no. 5, pp. 1173-1185. Sajewska D. 2013. Archiwum Wielkiej Wojny. Strategie montazu a praktyki rekonstrukcyjne medialnych obrazéw przemocy (“The Archive of the Great War. Montage Strategies and Reenactment Practices of Media Violence Images’). Widok. Teorie i Praktyki Kultury Wizualnej, vol. 3, pp. 1-20. Schneider R. 2011. Performing Remains. Art and War in Times of Theatrical Reenactment. London & New York: Routledge. Sendyka R. 2012. Fotografia, szok i oburzenie: ramy wojny (‘Photography, Shock and Indignation: Frames of War’). Wieloglos, no. 2, pp. 93-104. Sontag S. 2010. Widok cudzego cierpienia (‘Regarding the Pain of Others’). Krakéw: Wydawnictwo Karakter. Szlendak T., Nowiriski J., Olechnicki K., Karwacki A. & Burszta W. 2012. Dziedzictwo w akcji. Rekonstrukcja historyczna jako sposbb uczestnictwa w kulturze (“Heritage in Action. Historical Reenactment as a Way of Participation in Culture’). Warszawa: NCK. White H. 1973. Metahistory: The Historical Imagination in the Nineteenth Century Europe. Baltimore & London: Johns Hopkins University Press. White H. 1988. Historiography and Historiophoty. American Historical Review, vol. 93, no. 5, pp. 11931199. Wilkowski M. 2013. Po co nam rekonstrukcje historyczne? (“Why Do We Need Historical Reenactments?’). http://historiaimedia.org/2013/07/18/po-co-nam-rekonstrukcje-historyczne/ (last accessed on: July 7, 2016). Woolf V. 1963 [1938]. Three Guineas. US: Harvest Books. 603

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2776 px
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