Habermas J. 1990. Die Moderne—ein unvollendeten Projekt: philosophisch-politische Aufsätze 1977¬
1990 (‘Modernity—an Incomplete Project: Philosophical-Political Essays 1977-1990’). Leip¬
zig: Reclam.
Holzheid A. 2011. Das Medium Postkarte. Eine sprachwissenschaftliche und mediengeschichtliche Studie
(Medium Postcard. Linguistic and Media Studies’). Berlin: Erich-Schmidt Verlag.
Kottak, C.Ph. 1987. Researching American Culture: A Guide for Student Anthropologists. Ann Arbor:
University of Michigan Press, pp. 40-42.
Kürti, L. 2006. Picture Perfect. Community and Commemoration in Postcards. In: S. Pink,
L. Kürti & A.I. Afonso (eds.), Working Images: Visual Research and Representation in Ethnography.
London: Routledge, pp. 47-72.
Leclerc H. 1986. Ansichten iiber Ansichtskarten (‘Views About Postcards’). Archiv fiir Deutsche Post¬
geschichte, no. 2, pp. 5-56.
MacCraw B. 1998. See You Next Summer. Postcard Memories of Sparrow Lake. Toronto: Natural Herit¬
age/Natural History.
MacDougall D. 1997. The Visual in Anthropology. In: M. Banks & H. Morphy (eds.), Rethinking
Visual Anthropology. New Haven: Yale University Press. pp. 276-296.
Maurer M. 2008. Kulturgeschichte: Eine Einführung (History of Civilization. An Introduction‘).
Köln: Böhlau.
Orth E.W. 2003. Symbolische Formung zwischen Kulturologie und humanistischer
Kulturanthropologie (‘Symbolic Modelling Between Culturology and Humanistic Cultural
Anthropology’). SATS: Northern European Journal of Philosophy, vol. 4, no. 1, pp. 5-23.
Phillips R. 2006. The Collecting and Display of Souvenir Arts: Authenticity and the “Strictly
Commercial”. In: H. Morphy & M. Perkins (eds.), The Anthropology of Art: A Reader. Malden
MA: Blackwell, pp. 431-454.
Raycheva E. 2002 = Pafucsa E. 2002. O6pasyu na eeponetickama aumepamypa 6 Geneapckume
nowencku kapmuuku om nauanomo na XX eex (“Examples of European Literature in Bulgarian
Postcards from the Beginning of the 20 Century’, a conference paper). MinrepaucummaunapHa
HayuHa Koncbepenums “MoAecpHocrra Bycpa u auec” (Interdisciplinary Conference: Moder¬
nity Yesterday and Today’). February 25-26, 2002. Cochus: TTapaanrma.
Rowley A. 2013. Open Letters. Russian Popular Culture and the Picture Postcard 1880-1922. London
& Toronto: University of Toronto Press.
Ruby J. 1995. A Social Approach to Photography. In: J. Ruby (ed.), Secure the Shadow: Death and
Photography in America. Cambridge MS: MIT Press. pp. 5-7.
Till W. 1983. Alte Postkarten (‘Old Postcards’). Miinchen: Battenberg.
Uzlowa L. 2010 = Ysaosa A. 2010. Gruff aus ...[loz0pae om Eepona. IIowenckama kapmuuka
om xpaa na XIX 6. u nauanomo na XX 6.—Undukamop sa npoyecume na esponeusayua
Ha OsaeapcKomo o6wecmeo u couuoxyamypnume usMmepenus na npomenume (Apxus na
cemeücmeo Amupxananu, 1888-1950) (‘Gruß aus ... Greetings from Europe. The Postcard
from the Late Nineteenth Century and Early Twentieth Century—an Indicator of the Process
of Europeanization of Bulgarian Society and Socio-Cultural Dimensions of Change [‘Archive