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Within and Across the Media Borders how historical reenactors try to create their vision of the past by means of photography, capturing scenes from re-created reality. Representations of the past embedded in those elements are freguently transferred from one medium to another to imitate pictures from the past through capturing reenacted events. As she claims, with regard to reenacting war photography, it is even more evident that we are dealing not with a kind of restaged representation but a sophisticated fake. References Anderson K.E. 1972. Introduction to Communication Theory and Practice. Menlo Park CA: Cummings. Cigognetti L., Servetti L. & Sorlin P (eds.) 2010. History of Television in Seven East Europe Countries. Hungary, Lithuania, Slovakia, Czech Republic, Poland, Romania, Finland. Bologna: Assemblea Legislativa Regione Emilia-Romagna. Demski D. & Baraniecka-Olszewska K. 2010. Introduction. Encountering Images of the Other. In: D. Demski & K. Baraniecka-Olszewska (eds.), Images of the Other in Ethnic Caricatures. Warszawa: IAE PAN, pp. 11-25. Demski D. & Sz. Kristöf I. 2013. Introduction. In: D. Demski, I. Sz. Kristéf & K. Baraniecka-Olszewska (eds.), Competing Eyes. Visual Encounters with Alterity in Central and Eastern Europe. Budapest: L'Harmattan, pp. 11-23. Demski D., Laineste L., & Baraniecka-Olszewska K. 2015. Representations of the Other in the Time of War: Does War Matter? In: D. Demski, L. Laineste & K. Baraniecka-Olszewska (eds.), War Matters. Constructing Images of the Other (19305 to 19505). Budapest: L'Harmattan, pp. 11-23. Edwards E. & Hart J. (eds.) 2004. Photographs Objects Histories: On the Materiality of Images. London & New York: Routledge, pp. 47-61. Giddens A. 2002. Nowoczesnos¢ i tozsamos¢. Ja’ i spoleczenstwo w epoce pöZnej nowoczesnosci (‘Modernity and Self-Identity. Self and Society in the Late Modern Age’). Warszawa: PWN. Kemp W. 2014. Historia fotografti. Od Daguerrea do Gurskyego (History of Photography. From Daguerre to Gursky’). Krakéw: Universitas. Manovich L. 2006. Jezyk nowych mediéw (“The Language of New Media). Warszawa: Wydawnictwa Akademickie i Profesjonalne. Marks L.U. 2000. The Skin of the Film. Intercultural Cinema, Film and the Senses. Durham & London: Duke University Press. Michatowska M. 2012. Foto-teksty. Zwigzki fotografti z narracjq (‘Photo-Texts. Compounds of the Photographs with Narration’). Poznan: Wydawnictwo Naukowe UAM. Mirzoeff N. 2016. Jak zobaczyé swiat (“How to See the World’). Warszawa: Wydawnictwo Karakter. Rosenstone R.A. 1988. History in Images/History in Words. Reflections on the Possibility of Really Putting History onto Film. American Historical Review, vol. 93, no. 5, pp. 1173-1185. Sorlin P. 1998. Television and Our Understanding of History. A Distant Conversation. In: T. Berta (ed.), Screening the Past. Film and the Representation of History. Westport & London, pp. 205-220. White H. 1988. Historiography and Historiophoty. American Historical Review, vol. 93, no. 5, pp. 11931199. 27
