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022_000056/0000

Competing Eyes. Visual Encounters with Alterity in Central and Eastern Europe

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Field of science
Antropológia, néprajz / Anthropology, ethnology (12857), Kultúrakutatás, kulturális sokféleség / Cultural studies, cultural diversity (12950), Társadalomszerkezet, egyenlőtlenségek, társadalmi mobilitás, etnikumközi kapcsolatok / Social structure, inequalities, social mobility, interethnic relations (12525), Vizuális művészetek, előadóművészetek, dizájn / Visual arts, performing arts, design (13046)
Type of publication
tanulmánykötet
022_000056/0526
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Page 527 [527]
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022_000056/0526

OCR

524 Katarina Srimpf Caricatures of Butalci The 1949 edition of Butalci was supplemented with drawings by the caricaturist Franc Podrekar (ill. 228). His caricatures, which were made specifically for the book, are depictions of fools in Slovenia only until the second half of the twentieth century. Because of the similarity between the tales about Butalci and humorous stories referring to Lemberg, I decided to present this visual material. The drawings by Franc Podrekar include “analogies, hints, comparisons and motive patterns,” which were widely known in the first half of the twentieth century (Globoénik 2007: 151). One of the hints refers to representations of nemskutar, neméur, a person who was a member of the Slovenian nation but has strived for Germanization.‘ The images of nemskutar, nem£ur, were also one of the first stereotypical representations among Slovenians. The caricature of nemskutar, who was also seen as a “renegade,” a “national heretic,” most likely based on skric, denoted a nobleman or a townsman dressed in a tailcoat (Globoénik 2007: 155). Franc Podrekar depicted the mayor of Butale wearing a top hat and a tailcoat complete with a watch chain and a coin instead of a watch. Like the “nemSkutar,” the mayor of Butale also boasts of the large belly normally attributed to cooks and innkeepers (Globoénik 2005: 349) (ill. 231). Some of the other depictions of Butalci also portray them in their best clothes, which might be indicative of their high status. In much the same way, tailors on beehive panels represented a higher status, as they were considered “town dandies” (Globo£nik 2005: 351-352). There is no obvious reason why Franc Podrekar depicted the mayor of Butale in such form. Butalci, just like the Lembergs, were not considered as renegades. Humorous stories and the context of their narration do not reveal such a view. Both the Butalci and the Lembergs are seen as narrow-minded and foolish, but not as renegades. The comical quality of a fool can also be expressed through “his ugliness, gracelessness, senselessness, or a possible deformity of body” (Klapp 1949: 157). These qualities can best be seen in depictions of the mayoral election in Butalci (ill. 229). Butalci are portrayed with faces that would be most likely considered more ugly than beautiful. They are shown with big noses, pointy ears, extremely narrow or round faces, and big bellies, all of which are characteristics that make the depicted Butalci grotesque. Caricatures are essentially an “exaggeration in the best sense of the word” (Prodan 2010: 6); the aim is to shock, prick, move the spectator, and to force him or her to look, as jokes and humorous stories can exaggerate and criticize but, at the same time, entertain. In my opinion, jokes, humorous stories, and caricatures were created in order to entertain people. § The Slovenians were more than one thousand years under German or Austrian supremacy. A person called nemskutar was a person of Slovenian descent, but he chose to belong to the German social, cultural, and political circles, which made him a renegade in the eyes of fellow citizens (Globotnik 2007: 68).

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Image Metadata

Largeur de l'image
1853 px
Hauteur de l'image
2766 px
Résolution de l'image
300 px/inch
Taille du fichier d'origine
1.02 MB
Lien permanent vers jpg
022_000056/0526.jpg
Lien permanent vers OCR
022_000056/0526.ocr

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