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022_000055/0000

War Matters. Constructing Images of the Other (1930s to 1950s)

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Field of science
Antropológia, néprajz / Anthropology, ethnology (12857), Kultúrakutatás, kulturális sokféleség / Cultural studies, cultural diversity (12950), Társadalomszerkezet, egyenlőtlenségek, társadalmi mobilitás, etnikumközi kapcsolatok / Social structure, inequalities, social mobility, interethnic relations (12525), Vizuális művészetek, előadóművészetek, dizájn / Visual arts, performing arts, design (13046)
Type of publication
tanulmánykötet
022_000055/0457
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Page 458 [458]
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022_000055/0457

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456 Competing Visions of Landscapes, Cultures and Peoples. Survey Photography in the Western Borderlands of the Russian Empire During World War I Highlanders from Zakopane in the Tatras (A. Schultz, 1918) The ethnographic map of the kingdom of Poland (A. Schultz, 1918) Pictures of Lithuania (R. Schlichting & H.A. Osman, 1917) Building materials in Polish architecture (Wies i miasteczko, 1916) A picture from the Jewish ethnographic expedition (S. Iudovin, 1912-1914) A Polish farmhouse (H. Griesbach, 1917) Crosses and roadside shrines (B. Pitsudski, 1922) The Cracow altarpice of Veit Stoss (S. Kotowca, ca. 1944) A Jew from Wisznice (A. Schultz, 1918) A roadside chapel on the eastern front (IS PAN, ca. 1915-1918) The Meaning of Photos in the Context of Memory and Remembering A view of Tartu, from Vanemuine Hill towards market hall in autumn (E. Selleke, 1941) The Stone Bridge in 1939 (E. Selleke, 1939) The view from Tartu Town Hall Square to the destroyed Stone Bridge (Private collection, 1941) Eduard Uusen sitting in the ruins of his home in the background lie the ruins of the Market Hall (E. Selleke) The trade yard before the war (E. Selleke, 1929) The Stone Bridge (E. Selleke, 1939) Photography by Eduard Selleke of the Stone Bridge from 1939 was the model for Richard Kaljo’s graphic piece (1945) “Landscape of the soul” (R. Kaljo, 1945) “Landscape of the soul” (1950s) The Familiar Converted into the Other: Constructing Otherness Through the Monumental Representations of the Red Army in Poland (1940s—1950s) Monument of brothers in arms (D. Czarnecka) Monument of gratitude to the red army (K. Jabloriski, fotopolska.eu) Monument of gratitude to the red army (K. Jabloriski, fotopolska.eu) Monument of gratitude to the red army (fotopolska.eu) Monument of gratitude to the red army (D. Czarnecka) Monument to the heroes of the red army (fotopolska.eu) Monument of victory of the red army (E. Falkowski, fotopolska.eu) Monument of brothers in arms (fotopolska.eu) ‘A Woman from a Newspaper’: A New Face for Ideology and Old Habits Women at work in Opole (J. Grzegorzewicz, Trybuna Opolska, 1954) Do not forget about the competition. One of the distinctive store managers is Stanislawa Kuconi (J. Grzegorzewicz, Trybuna Opolska, 1954) The leading physical worker Hildegarda Pacula (J. Grzegorzewicz, Trybuna Opolska, 1952) Woman in traditional costume (A. Smietariski, Glos znad Odry, 1957) Women in folk costume. Long autumn evenings, women in Opole would often pluck feathers, spin, or sew (E. Nagietowicz, Glos z nad Odry, 1956) Wiktoria Oszajca from Lambinowice, together with her sister, became avid readers of books borrowed from the library (J. Grzegorzewicz, Trybuna Opolska, 1952) In the village of Opole the draft constitution is discussed (J. Grzegorzewicz, Trybuna Opolska, 1952)

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