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022_000055/0000

War Matters. Constructing Images of the Other (1930s to 1950s)

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Field of science
Antropológia, néprajz / Anthropology, ethnology (12857), Kultúrakutatás, kulturális sokféleség / Cultural studies, cultural diversity (12950), Társadalomszerkezet, egyenlőtlenségek, társadalmi mobilitás, etnikumközi kapcsolatok / Social structure, inequalities, social mobility, interethnic relations (12525), Vizuális művészetek, előadóművészetek, dizájn / Visual arts, performing arts, design (13046)
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tanulmánykötet
022_000055/0230
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Page 231 [231]
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022_000055/0230

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Images of the Enemy from Both Sides of the Front: Ihe Case of Estonia (1942—1944) them women and children, died after suffering terrible pain.”* News texts like this one were frequent and complemented the images that portrayed the enemy as irrational, aggressive, disillusioned etc. Accusations of inhuman behaviour alternate with verbal jokes, for example the following one from Tasuja, December 17, 1944: Hitler and Goring disguised themselves and fled. They entered a pub on their way and Hitler ordered a beer. The girl serving the tables called out at once: “A beer for Hitler!” The same happened with Goring. After drinking up, Hitler and Göring asked the girl how she had recognised them, and the girl replied: “Tm Goebbels!” Estonian Caricatures from the Nazi Side The Nazi caricatures mainly come from one published source, Rindeleht. For the editorial of the first number of this newspaper, the editors state that their aim is to tighten the connection between the front and the rear, using the newspaper as an information channel for mutual concerns, and also to offer light-hearted entertainment during leisure time. Ihe other source, Postimees, was less military, and concentrated on bringing the daily news to people living in Estonia. The number of caricatures published in Postimees was considerably smaller than in Rindeleht. The main trends in depicting the enemy in these Nazi-minded sources are (1) describing the daily life of the unambitious soldier, displaying only mild ridicule of the enemy, with frequent use of puns and verbal jokes woven into the caricatures, and (2) portrayal of general negative stereotypes with parallels in ethnic humour: above all dirtiness, but also promiscuity, uncultured habits etc. Typical examples target girlfriends or female acquaintances (Figs 89 and 90) who are referred to as lousy cooks, good-time girls, or just as objects/decorations. A rather blatantly although cheerfully sexist cartoon (Fig. 89) states that the best flowers are the ones growing on the ground and not on the trees, whereas another one combines two important topics, food and women, into a comic depiction of army life (Fig. 90). Of course, caricatures are not only about women, they also tell us about the relationships between soldiers and officers, the boredom, and the food—the highlight (or disappointment) of the day. All in all, the main character in the popular caricatures was a working class soldier who never questioned his position in the army or the aim of the war itself. Several caricatures depict the recurring motif of dirt and poverty in Russia, tying this to the inferiority of the enemy. Attributing negative characteristics like dirtiness to the Other is a common practice (also in jokes, see Davies 1990). As with the Soviet-minded sources, this attitude towards the enemy is supported by textual material in the newspapers, for example: “I saw children, men and women 2 Tasuja, February 17, 1944: Veri ihkab vere hinda! Vihka ja tasu! (‘Blood must be repaid with blood! Hate and pay back’). 229

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1890 px
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2776 px
Résolution de l'image
300 px/inch
Taille du fichier d'origine
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