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022_000055/0000

War Matters. Constructing Images of the Other (1930s to 1950s)

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Field of science
Antropológia, néprajz / Anthropology, ethnology (12857), Kultúrakutatás, kulturális sokféleség / Cultural studies, cultural diversity (12950), Társadalomszerkezet, egyenlőtlenségek, társadalmi mobilitás, etnikumközi kapcsolatok / Social structure, inequalities, social mobility, interethnic relations (12525), Vizuális művészetek, előadóművészetek, dizájn / Visual arts, performing arts, design (13046)
Type of publication
tanulmánykötet
022_000055/0040
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022_000055/0040

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Constructing Images of the Other in Peace and War Demski D., Sz. Kristóf I. 8z Baraniecka-Olszewska K. (eds) 2013. Competing Eyes, Visual Encounters with Alterity in Central and Eastern Europe. Budapest: LHarmattan. Dower J.W. 1986. War without Mercy. New York: Pantheon. Efimov B. 2005. Forced Laughter. Prague: Galerie Nova Sin. Furuya K. & Chang C. 1981. Chiang Kai-Shek, His Life and Times. New York: St John’s University. Graml H. 1992. Anti-Semitism in the Third Reich. Oxford: Blackwell. Golubev A.V. 2010. Images of the Eastern Europe in the Soviet Caricature of the 1920s and 1930s (in the published material of Krokodil). In: Demski D. & Baraniecka-Olszewska K. (cds) Images ofthe Other in Ethnic Caricatures of Central and Eastern Europe. Warsaw: IAE PAN, pp. 212-233. Hasek J. 1973 [1921-1923]. The Good Soldier Svejk. London: Penguin. Hate and Propaganda. 1993. Los Angeles: Church of Scientology. Heath Robinson W. 1978. Heath Robinson at War. London: Duckworth. Hitler A. 1974 [1925-1926]. Mein Kampf. London: Hutchinson. Horeckÿ M. 1985. Humor do vrecka alebo vtipy na kaédy den (“Humour in Your Pocket or Jokes on Every Day’). Kosice: Vychodoslovensk& Vydavatel’stvo. Hsia Po-Chia R. 1987. The Myth of Ritual Murder. New Haven: Yale University Press. Huntington S.P 2002. The Clash of Civilizations and the Remaking of World Order. London: Simon and Schuster. Judd D. 1972. Posters of World War Two. London: Wayland. Kant I. 1951 [1790]. Critique of Judgement. New York: Hafner. Kertzer D. 2001. The Popes Against the Jews, the Vatican’ Role in the Rise of Modern Anti-Semitism. New York: Alfred Knopf. Koch ULE. (ed.) 1997. Marianne et Germania dans la caricature (1550-1997) (‘Marianne and Germany in Caricatures (1550-1997)’). Paris: Goethe-Institut Paris. Lancaster O. 1978. Scene Changes. London: John Murray. Larry. 1995. Larry at War. London: Park Macdonald. Lustosa I. (ed.) 2011. Imprensa, Humor e Caricatura—a Questao dos Estereôtipos Culturais (Press, Humour and Caricature—a Question of Cultural Stereotypes’). Bello Horizonte: UFM. McLachlan E.R. 1973. The Cartoons of Edward McLachlan. London: Private Eye/André Deutsch. New Yorker War Album. 1943. London: Hamish Hamilton. Philippe R. 1982. Political Graphics. Art as a Weapon. Oxford: Phaidon. Ponsonby Lord A. 1991. Fakehood in Wartime: Propaganda Lies of the First World War. Costa Mesa CA: Institute for Historical Review. Reitlinger G. 1968. The Final Solution. London: Valentine Mitchell. Rokeach M. 1960. The Open and Closed Mind. New York: Basic. Rummel R.J. 1990. Lethal Politics. Soviet Genocide and Mass Murder since 1917. New Brunswick & London: Transaction Publishers. Rummel R.J. 1994. Death by Government. New Brunswick & London: Transaction Publishers. Schom A. 2004. The Eagle and the Rising Sun: The Japanese-American War, 1941-1943. New York: W.W. Norton. Sorel E. 1978. Superpen: The Cartoons and Caricatures of Edward Sorel. New York: Random House. Stubble M. 1987. Battle for Britain. London: Private Eye/Andre Deutsch. 39

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