Oldal 113 [113]
LLEWELLYN BROWN
of the various poles involved:"! the creator is distinct from the image he
produces of himself in the video, where he sees himself as another; the
camera produces an image that the spectator does not control but that, on
the contrary, points to his own powerlessness. Neither spectator nor creator
is able to capture or rationalize the part that escapes: the unseen that each
one attempts to discern by scrutinizing the strange form on the screen.
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64 This is summed up by Gérard Wajcman in a diagram where the summits of a triangle
(spectator, work of art and author) circumscribe the place of the object in the center (L’Objet
du siécle, 68).
+ 112°