Oldal 33 [33]
TERESA ROSELL NICOLÁS
BECKETT, Samuel: Proust in Pieces, in Ruby Cohn (ed.): Disjecta, New York,
Grove, 1984, 63—65.
BECKETT, Samuel: L’image, Paris, Les Editions de Minuit, 1988.
BECKETT, Samuel: The Image (trans. Edith Fournier), in S. E. Gontarski (ed.):
The Complete Short Prose, 1929-1989, New York, Grove, 1995.
BECKETT, Samuel: Krapp’s Last Tape, The Complete Dramatic Works, London,
Faber and Faber, 1990, 213-223.
BECKETT, Samuel: Three Novels, New York, Grove, 2009.
CASELLI, Daniela: Beckett’s Dantes: Intertextuality in the Fiction and Criticism,
Manchester, Manchester University, 2005.
FEHSENFELD, Martha D. — OvERBECK, Lois M. (eds.): The Letters of Samuel
Beckett, 1929-1940, Vol. 1, Cambridge, Cambridge University, 2009.
GODEAU, Florence: Image première, image dernière, Marcel Proust, Europe,
Revue littéraire mensuelle 1012-1013 (September 2013), 155-163.
GONTARSKI, S. E.: Beckett’s Happy Days: A Manuscript Study, Ohio, Ohio
State University Libraries, 1977.
Harvey, Lawrence E.: Samuel Beckett: Poet and Critic, Princeton, Princeton
University, 1970.
KAWASHIMA, Takeshi: Conjunction of the Essential and the Incidental:
Fragmentation and Juxtaposition; or Samuel Beckett’s Critical Writings in
the 1930s, in A. Uhlmann - S. Houppermans — B. Clément (eds.): After
Beckett / D’apres Beckett, Samuel Beckett Today / Aujourd’hui 14 (2004),
471-473.
KENNER, Hugh: Samuel Beckett: A Critical Study, New York, Grove, 1961.
LEE, Vera G.: Beckett on Proust, Romanic Review 69 (May 1978), 196-206.
MAUDE, Ulrika: Pavlov’s Dogs and Other Animals in Samuel Beckett, in
M. Bryden (ed.): Beckett and Animals, Cambridge, Cambridge University,
2013, 82-93.
POTHAST, Ulrich: The Metaphysical Vision. Arthur Schopenhauer’s Philosophy
of Art and Life and Samuel Beckett’s Own Way to Make Use of It, New York,
Peter Lang, 2008.
VAN HULLE, Dirk — NIXON, Mark: Samuel Beckett’s Library, Cambridge and
New York, Cambridge University, 2013.
+ 32e