Oldal 6 [6]
OCR
TABLE OF CONTENIS 40} Acknowledgments ..................................... 7 LINDA BEN-ZvI: Preface .................................. 9 Introduction. ....................................... 13 PART 1: INFLUENCING BECKETT TERESA ROSELL NicOLAs: In Search of LostImage.................. 21 LAURENS DE Vos: The Theatricalization of Endgame as the Painterly World of Bram and Geer van Velde: Changing Perspectives in the Poetics of Cubism and Sartre’s Phenomenology ............................. 33 PATRICK ARMSTRONG: Samuel Beckett and the Sinic World. ............ 45 PART 2: BECKETT INFLUENCING JONATHAN BIGNELL: “Random dottiness”: Samuel Beckett and the Reception of Harold Pinter’s Early Dramas ........................... 61 Mariko Hort Tanaka: Samuel Beckett’s Legacies in Caryl Churchill’s Later Plays ....................................... 75 ANITA RÁKÓCZY: Shoes That Are Left Behind: Gäbor Tompa’s Beckett Heritage . 87 LLEWELLYN BROWN: Body, the Gaze, and Abstraction: From Samuel Beckett to Bruce Nauman .................................. 101 YOSHIKO TAKEBE: Translating Silence: Correlations between Beckett, Chekhov, and Hirata... ee 115 PaRT 3: PRACTITIONER VOICES MARTON MESTERHAZI: How We Made the Hungarian Version of Samuel Beckett's AU That Fall. ............................... 129 GÁBOR ROMHÁNYI TÖRÖK: My Way with the Work of Samuel Beckett. . . . . . 137 NICHOLAS E. JOHNSON, NEILL O’DWYER, AND ENDA BATEs: Samuel Beckett’s Play in Digital Culture: Technologies of Influence. ............... 145
