Oldal 6 [6]
OCR Output

TABLE OF CONTENIS

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Acknowledgments ..................................... 7
LINDA BEN-ZvI: Preface .................................. 9
Introduction. ....................................... 13

PART 1: INFLUENCING BECKETT

TERESA ROSELL NicOLAs: In Search of LostImage.................. 21
LAURENS DE Vos: The Theatricalization of Endgame as the Painterly World

of Bram and Geer van Velde: Changing Perspectives in the Poetics of Cubism

and Sartre’s Phenomenology ............................. 33
PATRICK ARMSTRONG: Samuel Beckett and the Sinic World. ............ 45

PART 2: BECKETT INFLUENCING

JONATHAN BIGNELL: “Random dottiness”: Samuel Beckett and the Reception

of Harold Pinter’s Early Dramas ........................... 61
Mariko Hort Tanaka: Samuel Beckett’s Legacies in Caryl Churchill’s

Later Plays ....................................... 75
ANITA RÁKÓCZY: Shoes That Are Left Behind: Gäbor Tompa’s Beckett Heritage . 87
LLEWELLYN BROWN: Body, the Gaze, and Abstraction: From Samuel Beckett

to Bruce Nauman .................................. 101
YOSHIKO TAKEBE: Translating Silence: Correlations between Beckett, Chekhov,

and Hirata... ee 115

PaRT 3: PRACTITIONER VOICES

MARTON MESTERHAZI: How We Made the Hungarian Version of Samuel

Beckett's AU That Fall. ............................... 129
GÁBOR ROMHÁNYI TÖRÖK: My Way with the Work of Samuel Beckett. . . . . . 137
NICHOLAS E. JOHNSON, NEILL O’DWYER, AND ENDA BATEs: Samuel Beckett’s

Play in Digital Culture: Technologies of Influence. ............... 145