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022_000014/0000

Living Through Extremes in Process Drama

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Author
Bethlenfalvy Ádám
Field of science
Általános oktatás / Education, general (including training, pedagogy, didactics) (12831)
Series
Collection Károli
Type of publication
monográfia
022_000014/0241
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MY LESSONS IN RELATION TO OTHER ÁPPROACHES The issues considered in this section are part of an ongoing debate about the living through approach, which covers many different methodologies and forms of drama in education. My research has made useful contributions to this debate by offering a new mode of connection between LID and theatre, creating new responses to some old guestions and opening some new possibilities for further investigation. I will continue by placing the drama approach developed in my research in the wider context of contemporary drama education. My LESSONS IN RELATION TO OTHER APPROACHES There are many valuable practices of drama education around the world, used in different contexts with a variety of aims. As mapping diverse approaches was not the aim of my research, I will only examine the similarities and differences of the practice developed through this research to two very differing, but widely used reinterpretations of the living through approach. Bolton describes Heathcote’s Mantle of the Expert (MoE) as a reinterpretation of her own earlier living through approach work, known as Man in a Mess.”” Heathcote herself defines MoE as “an approach to the whole curriculum””®? where learning science, maths, language, etc. can be incorporated into and motivated by the fictional context. Maria Gee explains MoE: “Heathcote’s model offers an imagined context (the Enterprise) within which the learning happens. Within that fictional context, the students work on a multitude of tasks connected with the Enterprise they are running. They will be responsible to the (fictional) client, who has approached them with a problem which they are required to deal with”.’°* The framing of participants as experts offers the framework for incorporating a variety of elements of the curriculum in dealing with the problem placed by the client. Approaching the problem professionally, as an expert, moves the focus to exploring knowledge related to the problem to create solutions for it; rather than experiencing situations which change people and offer possibilities to re-evaluate stance, as with Man in a Mess. The questioning of values was a central aim in my work, but Davis sees the “lack of questioning the values in the social context as the inherent weakness in the MOE method”.”° While MoE can incorporate various forms of theatre as well, like Chamber Theatre,” the expert frame creates a distancing effect that is 7 Bolton: Acting in Classroom Drama. Heathcote-Bolton: Drama for Learning, 16. Gee: The contribution of drama, 20. Davis: Imagining the Real, 58. Bolton: Acting in Classroom Drama, 242. 753 754 755 756 + 241 +

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