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022_000014/0000

Living Through Extremes in Process Drama

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Author
Bethlenfalvy Ádám
Field of science
Általános oktatás / Education, general (including training, pedagogy, didactics) (12831)
Series
Collection Károli
Type of publication
monográfia
022_000014/0198
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022_000014/0198

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CHAPTER FIVE: DATA ANALYSIS P: I was thinking about it yesterday, so that I could explain to my mother. I thought it was like there had been a war, and they had lost this war, and that is why they got on the island. I talked a lot about it to my mum. T: Can you recount what you told her? P: I told her who I was with in the same group; I told her what you asked us, and what my thoughts about those questions were. I also told her about the four families. I told her I was in the agricultural family. (Laughs) T: Why are you laughing about that? Did you find this funny? P: Yes, it’s very funny even saying it. P1: I think they are. They too have tools, but they don’t depend on them so much, they are much closer to nature. P2: I think they’re more human human-beings inside because we for example do not need to co-operate with each other. They need to co-operate in their families but also with the whole tribe.°” In the third lesson when participants played American teenagers they drew their own mobile phones and gadgets, objects that very few of them have in real life but all of them really crave for. They used their drawn gadgets to the extreme in the improvisations, photographing and recording everything. It could be the clash between the two worlds that started off thinking about humanness. Answering the question ‘what is the use of such a drama lesson’ participants of Children said: 651 E D1. 2 F D3. + 198 + a participant

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