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CHAPTER ONE: LIVING THROUGH DRAMA . . . Structures building towards living through improvisations, enhancing ‘being’ in fiction Tasks enhancing the connection of the drama world and the participants’ reality Participants’ conscious use of signs, awareness of components of theatre Not aiming to resolve situations, but ‘making’ drama Use of different forms of spectatorship within the fiction . Aiming for metaxis rather than self-spectatorship; understanding from within the drama rather than from a distance +68 +
