CHAPTER ONE: LIVING THROUGH DRAMA
Structures building towards living through improvisations, enhancing
‘being’ in fiction
Tasks enhancing the connection of the drama world and the
participants’ reality
Participants’ conscious use of signs, awareness of components of
theatre
Not aiming to resolve situations, but ‘making’ drama
Use of different forms of spectatorship within the fiction
Aiming for metaxis rather than self-spectatorship; understanding
from within the drama rather than from a distance