Alexander, Neil. Ciaran Carson. Space, Place, Writing. Liverpool: Liverpool University Press, 2010, https://doi.org/10.2307/j.ctt5vjcgf
Allison, Jonathan. “Kavanagh and the anti-pastoral”. In: Campbell, Matthew (ed.) The Cambridge Companion to Contemporary Irish Poetry. Cambridge: Cambridge University Press, 2003, pp. 42-58, https://doi.org/10.1017/CCOL0521813018.003
Andrews. Elmer. The Poetry of Seamus Heaney. All the Realms of Whisper. Basingstoke: Macmillan, 1988, https://doi.org/10.1007/978-1-349-19337-0
Andrews, Elmer. “Introduction”. In: Elmer Andrews (ed.), Contemporary Irish Poetry. A Collection of Critical Essays. Basingstoke: Macmillan, 1992, pp. 1-24, https://doi.org/10.1007/978-1-349-80425-2_1
Andrews, Elmer. “The Poetry of Derek Mahon: “places where a thought might grow’”. In: Elmer Andrews (ed.). Contemporary Irish Poetry. A Collection of Critical Essays. Basingstoke: Macmillan, 1992, pp. 235-263, https://doi.org/10.1007/978-1-349-80425-2_12
Bakhtin, Mikhail. The Dialogic Imagination: Four Essays, ed. Michael Holquist, trans. Caryl Emerson and Michael Holquist. Austin: University of Texas Press, 1981
Brennan, Rory. “Contemporary Irish Poetry: an Overview.” In: Michael Kenneally (ed.), Poetry in Contemporary Irish Literature. Gerrards Cross: Colin Smythe Limited, 1995, pp. 1-27
Brewster, Scott. “Introduction”. in: Scott Brewster, Virginia Crossman, Fiona Becket and David Alderson (eds.) Ireland in Proximity: History, Gender, Space. London: Routledge, 1999, pp. 125-128
Brown, Terence. “Mahon and Longley: place and placelessness”. In: Michael Campbell (ed.) The Cambridge Companion to Contemporary Irish Poetry. Cambridge: Cambridge University Press, 2003, pp. 133-148, https://doi.org/10.1017/CCOL0521813018.008
Cavanagh, Michael. Professing Poetry. Seamus Heaney’s Poetics. Washington D.C: The Catholic University of America Press, 2009
Cave, Richard Allen. “John Montague: Poetry of the Depersonalised Self.” In: Michael Kenneally (ed.). Poetry in Contemporary Irish Literature. Gerrards Cross: Colin Smythe Limited, 1995, pp. 216-237.
Corcoran, Neil. “’Resident Alien’: America in the Poetry of Derek Mahon. In: Elmer Kennedy-Andrews (ed.) The Poetry of Derek Mahon. Gerrards Cross: Colin Smythe Limited, 2002, pp. 231-248
Cresswell, Tim. Place: a short introduction. Oxford: Blackwell, 2004
Crowder, Ashby Bland, and Hall, Jason David (eds.) Seamus Heaney. Poetic, Critic, Translator. London: Palgrave Macmillan, 2007, https://doi.org/10.1057/9780230206267
Deane, Seamus. “’Unhappy and at Home’. Interview with Seamus Heaney.” The Crane Bag 1.1: 66-72
Deane, Seamus. Celtic Revivals. London: Faber and Faber, 1985
Fadem, Maureen E. Ruprecht. The Literature of Northern Ireland. Spectral Borderlands. London: Palgrave Macmillan, 2015
Falci, Eric. Continuity and Change in Irish Poetry, 1966 – 2010. Cambridge: Cambridge University Press, 2012, https://doi.org/10.1017/CBO9781139087414
Fallon, Peter, and Mahon, Derek (eds.) The Penguin Book of Contemporary Irish Poetry. Harmondsworth: Penguin Books, 1990
Fulford, Sarah. Gendered Spaces in Contemporary Irish Poetry. Bern: Peter Lang, 2002
Garratt, Robert F. Modern Irish Poetry: Tradition and Continuity from Yeats to Heaney. Berkeley: University of California Press, 1989
Gifford, Terry. Pastoral. London and New York: Routledge, 1999, https://doi.org/10.4324/9780203003961
Gifford, Terry. “Pastoral, Anti-Pastoral, and Post-Pastoral.” In: L. Westling (ed.) The Cambridge Companion to Literature and the Environment. Cambridge: Cambridge University Press, 2014, pp. 17-30, https://doi.org/10.1017/CCO9781139342728.003
Grant, Patrick. Literature, Rhetoric and Violence in Northern Ireland, 1968-98. Hardened to Death. Basingstoke: Palgrave, 2001, https://doi.org/10.1057/9780230596955
Hanna, Adam. Northern Irish Poetry and Domestic Space. London: Palgrave Macmillan, 2015, https://doi.org/10.1057/9781137493705
Haughton, Hugh. “’Even now there are places where a thought might grow’: Place and Displacement in the Poetry of Derek Mahon. in. Neil Corcoran (ed.) The Chosen Ground. Essays on the Contemporary Poetry of Northern Ireland. Bridgend: Seren Books, 1992, pp. 87-120
Haughton, Hugh. The Poetry of Derek Mahon. EPUB ed. Oxford University Press, 2010
Heaney, Seamus. Door into the Dark. London: Faber, 1969
Heaney, Seamus. North. London: Faber, 1975
Heaney, Seamus. Field Work. London: Faber, 1979
Heaney, Seamus. Preoccupations. Selected Prose 1968-78. New York: The Noonday Press, 1980
Heaney, Seamus. “Place and Displacement: Reflections on Some Recent Poetry from Northern Ireland.” The Agni Review, 1985. No. 22 (1985), pp. 158-177
Heaney, Seamus. Seeing Things. London: Faber, 1991
Heaney, Seamus. Electric Light. London: Faber, 2001
Heaney. Seamus. “Eclogues “In Extremis”: On the Staying Power of Pastoral”. Proceedings of the Royal Irish Academy: Archaeology, Culture, History, Literature, 2003, Vol. 103C, No.1. (2003), pp. 1-12, https://doi.org/10.1353/ria.2003.0010
Heaney, Seamus. District and Circle. London: Faber, 2006
Hewitt, John. Freehold and other poems. Belfast: The Blackstaff Press, 1986
Hufstader, Jonathan. Tongue of Water, Teeth of Stones. Northern Irish Poetry and Social Violence. Lexington: The University Press of Kentucky, 1999
Hughes, Eamonn. “’Weird / Haecceity’: Place in Derek Mahon’s Poetry. In: Elmer Kennedy-Andrews (ed.). The Poetry of Derek Mahon. Gerrards Cross: Colin Smythe Limited, 2002, pp. 97-110
Jarniewicz, Jerzy and McDonagh, John. “Scattered and diverse: Irish poetry since 1990. In: Scott Brewster and Michael Parker (eds.) Irish literature since 1990. Diverse voices. Manchester: Manchester University Press, 2009, pp. 121-141
Johnston, Dillon. Irish Poetry After Joyce. (2nd ed.) Syracuse, NY: Syracuse University Press, 1997
Kay, Magdalena. Knowing One’s Place in Contemporary Irish and Polish Poetry. Zagajewski Mahon, Heaney, Hartwig. London: Continuum, 2012
Kennedy-Andrews, Elmer. Writing Home: Poetry and Place in Northern Ireland 1968 – 2008. Cambridge: D.S. Brewer, 2008, https://doi.org/10.1515/9781846156823
Kennedy-Andrews, Elmer. Northern Irish Poetry. The American Connection. London: Palgrave Macmillan, 2014, https://doi.org/10.1057/9781137330390
Kerrigan, John. “Ulster Ovids”. In: Neil Corcoran (ed.) The Chosen Ground. Essays on the Contemporary Poetry of Northern Ireland. Bridgend: Seren Books, 1992, pp. 237-269
Kinsella, Thomas (ed.) The New Oxford Book of Irish Verse. Oxford: Oxford University Press, 1986
Kirkland, Richard. Literature and Culture in Northern Ireland Since 1965: Moments of Danger. London: Longman, 1996
Laine, Jussi P. “A historical view on the study of borders”. In: Sergei V. Sevastianov, Jussi P. Laine and Anton A. Kireev (eds.) Introduction to Border Studies. Vladivostok: Dalnauka, 2015, pp. 14-32
Larkin, Philip. Collected Poems. East Saint Kilda and London: The Marvell Press and Faber, 2003
Lefebvre, Henri. The Production of Space, trans. Donald Nicholson-Smith. Oxford: Blackwell, 1991
Lloyd, David. Anomalous States. Irish Writing and the Post-colonial Moment. Dublin: The Lilliput Press, 1993
Lloyd, David. Counterpoetics of Modernity. On Irish Poetry and Modernism. Edinburgh: Edinburgh University Press, 2022, https://doi.org/10.3366/edinburgh/9781474489805.001.0001
Longley, Edna. “Derek Mahon: Extreme Religion of Art.” In: Michael Kenneally (ed.) Poetry in Contemporary Irish Literature. Gerrards Cross: Colin Smythe Limited, 1995, pp. 280-303
Longley, Edna. “Looking Back From The Yellow Book.” In: In: Elmer Kennedy-Andrews (ed.). The Poetry of Derek Mahon. Gerrards Cross: Colin Smythe Limited, 2002, pp.29-47
Longley, Michael. Poems 1963 – 1983. London: Secker and Warburg, 1985
Longley, Michael. Gorse Fires. London: Secker and Warburg, 1991
Longley, Michael. The Weather in Japan. London: Jonathan Cape, 2000
Longley, Michael. Collected Poems. London: Jonathan Cape, 2006
Longley, Michael. A Hundred Doors. London: Jonathan Cape, 2011
Longley. Michael. Angel Hill. London: Jonathan Cape, 2017
Mahon, Derek. The Hunt by Night. Oxford: Oxford University Press, 1982
Mahon Derek. Journalism: Selected Prose, 1970-1995. Loughcrew: Gallery Press, 1996
Mahon, Derek. Collected Poems. Loughcrew: Gallery Press, 1999
Mahon, Derek. The Poems (1961-2020)- ed. Peter Fallon. Loughcrew: Gallery Press, 2021
Marx, Leo. The Machine in the Garden. Technology and the Pastoral Idea in America. New York: Oxford University Press, 2000 (1964), https://doi.org/10.1093/oso/9780195133516.001.0001
Massey, Doreen. Space, Place, and Gender. Minneapolis: University of Minnesota Press, 1994
Massey, Doreen. for space. London: Sage, 2005
Matthews, Steven. Irish Poetry. Politics, History, Negotiation. The Evolving Debate, 1969 to the Present. Basingstoke: Macmillan, 1997, https://doi.org/10.1007/978-1-349-25290-9
McConnell, Gail. Northern Irish Poetry and Theology. London: Palgrave Macmillan, 2014, https://doi.org/10.1057/9781137343840
McDaid, Ailbhe. The Poetics of Migration in Contemporary Irish Poetry. London: Palgrave Macmillan, 2017, https://doi.org/10.1007/978-3-319-63805-8
McDonald, Peter. ”Michael Longley’s Homes.” In: Neil Corcoran (ed.). The Chosen Ground. Essays on the Contemporary Poetry of Northern Ireland. Bridgend: Seren Books, 1992, pp. 65-83
McDonald, Peter. Mistaken Identities. Poetry and Northern Ireland. Oxford: Clarendon Press, 1997, https://doi.org/10.1093/oso/9780198184225.001.0001
McGuinness, Arthur E. “Cast a Wary Eye: Derek Mahon’s Classical Perspective”. The Yearbook of English Studies, Vol. 17, British Poetry since 1945 Special Number (1987), pp. 128-142, https://doi.org/10.2307/3507656
Montague, John. The Figure in the Cave and other Essays. Dublin: The Lilliput Press, 1989
Montague, John. Collected Poems. Loughcrew: The Gallery Press, 1995
Montague, John. Smashing the Piano. Winston-Salem: Wake Forest University Press, 2001
Morrison, Blake. Seamus Heaney. London, Methuen, 1982
Murphy, Andrew. Seamus Heaney. 3rd ed. Horndon: Northcote House Publishers, 2009, https://doi.org/10.2307/j.ctv5rf42f
Obert, Julia C. Postcolonial Overtures. The Politics of Sound in Contemporary Northern Irish Poetry. EPUB ed. Syracuse University Press, 2015
O’Brien, Eugene. Seamus Heaney. Searches for Answers. London: Pluto Press, 2003
O’Brien, Sean. “Derek Mahon: The World as Exile”. In: Sean O’Brien. The Deregulated Muse. Newcastle: Bloodaxe Books, 1998, pp. 97-103
O’Donoghue, Bernard. “Heaney’s Classics and the Bucolic,” in: Bernard O’Donoghue (ed.), The Cambridge Companion to Seamus Heaney. Cambridge: Cambridge University Press, 2009, pp. 106-121, https://doi.org/10.1017/CCOL9780521838825.007
O’Driscoll, Dennis. Stepping Stones. Interviews with Seamus Heaney. EPUB ed. Faber, 2009
Parker, Michael. Seamus Heaney. The Making of the Poet. Basingstoke: Macmillan, 1993, https://doi.org/10.1057/9780230390256
Peacock, Alan. “Michael Longley: Poet Between Worlds.” In: Michael Kenneally (ed.). Poetry in Contemporary Irish Literature. Gerrards Cross: Colin Smythe Limited, 1995, pp. 263-279
Peacock, Alan. “’How do you sew the night?’: The Weather in Japan”. In: Alan J. Peacock and Katherine Devine (eds.). The Poetry of Michael Longley. Gerrards Cross: Colin Smythe Limited, 2000, pp. 143-167
Potts, Donna L. Contemporary Irish Poetry and the Pastoral Tradition. Columbia and London: University of Missouri Press, 2011
Quinn, Antoinette. “The Well-Beloved: Montague and the Muse”. Irish University Review, Spring, 1989, Vol. 19, No. 1, pp. 27-43
Quinn, Justin. The Cambridge Introduction to Modern Irish Poetry 1800-2000. Cambridge: Cambridge University Press, 2008, https://doi.org/10.1017/CBO9780511611537
Randolph, Jody Allen. “Interview: Michael Longley and Jody Allen Randolph.” Colby Quarterly, Volume 39, no.3, September 2003, p. 294-308
Rankin, K. J. The Creation and Consolidation of the Irish Border. Working Papers in British-Irish Studies No. 48, 2005, Institute for British-Irish Studies, University College Dublin
Russell, Richard Rankin. Seamus Heaney’s Regions. Notre Dame: University of Notre Dame Press, 2014
Said, Edward W. The World, the Text and the Critic. Cambridge, Massachusetts: Harvard University Press, 1983
Sealy, Douglas. “The Sound of a Wound: An Introduction to the Poetry of John Montague from 1958 to 1988.” Irish University Review, Spring 1989, Vol. 19. No. 1. pp. 8-26
Shields, Kathleen. “Derek Mahon’s Poetry of Belonging”. Irish University Review, Spring-Summer, 1994, Vol. 24, No.1., pp. 67-79
Smyth, Gerry. Space and the Irish Cultural Imagination. Basingstoke: Palgrave, 2001, https://doi.org/10.1057/9781403913678
Soja, Edward W. Postmodern Geographies. The Reassertion of Space in Critical Social Theory. London: Verso, 1989
Solnick, Sam. Poetry and the Anthropocene. ecology, biology and technology in contemporary British and Irish poetry. Abingdon: Routledge, 2017
Stewart, A.T.Q. The Narrow Ground. Aspects of Ulster 1609 – 1969. Belfast: The Blackstaff Press, 1977
Tobin, Daniel. Passage to the Center. Imagination and the Sacred in the Poetry of Seamus Heaney. Lexington: The University Press of Kentucky, 1999
Tuan, Y. Space and Place. The Perspective of Experience. Minneapolis: University of Minnesota Press, 1977
Vance, Norman. Irish Literature: A Social History. Tradition, Identity and Difference. Dublin: Four Courts Press, 1999
Vendler, Helen. Seamus Heaney. London: Harper Collins, 1998
Welch, Robert. “Michael Longley and the West.” In: Alan J. Peacock and Katherine Devine (eds.). The Poetry of Michael Longley. Gerrards Cross: Colin Smythe Limited, 2000, pp. 51-64
Williams, Raymond. The Country and the City. New York: Oxford University Press, 1973
Wilmer, Clive. “In Conversation with Michael Longley.” PN Review 96, Volume 20 Number 4, March-April 1994
