Titre
Shakespeare’s Art of Poesy in King Lear. An emblematic mirror of governance on the Jacobean stage
Auteur
Judit Mudriczki
Date
2020
Place
Budapest | Paris
Résumé
William Shakespeare’s King Lear has long received considerable attention for textual, philological and theatrical reasons. This monograph combines academic research and the close reading of the 1608 Quarto to find answers to the question what makes this play an outstanding and exceptional work of art. Written to be performed to a courtly audience, the text bears traces of the dramaturgical heritage of Tudor interludes as well as the tropes of early Jacobean public discourses. Relying on George Puttenham’s contemporaneous handbook of rhetorical and poetic conventions, the monograph argues that the corporeal image cluster of the text corresponds to the rhetoric of royal discourses based on the tropes of the body politic. Thus the 1608 King Lear Quarto stands as a dramatic response to royal propaganda and holds a mirror of governance to both the royal court and to King James, who supposedly was present at the first performance of the play in Whitehall.
Éditeurs
L’Harmattan
Co-publisher
Károli Gáspár University of the Reformed Church in Hungary | Éditions L’Harmattan
Type of publication
monográfia
Field of science
Irodalomtörténet / History of literature (13020)
Mots clés
Shakespeare | King Lear | mirror of governance
Format
Text
ISBN
978-2-343-20808-4
Series
Collection Károli. Monograph
ISSN
2063-3297
Langue
angol
Edition
Első kiadás
Droits
CC BY-NC-SA 4.0