Oldal 128 [128]
OCR
HINDUIZMUS ÉS A MÉDIA A 21. SZÁZADBAN Karkare, Aakash: „Protestsby VHP activists meant that this gorgeous animated Ramayana’ never got an Indian release.” Scroll, 2017. aprilis 2. https://scroll.in/reel/832996/ protests-by-vhp-activists-meant-that-this-gorgeous-animated-ramayana-never-got-an-indian-release Kang, Myungnam: ,The making of Womanhood in Early India: Pativrata in the Mahabharata and Ramayana.” Sri Lankan Journal of Social Sciences, 2015, 206-212. Karmakar, Goutam - Payel Pal, Payel: , Framing the Feminist Horror: Repression, Revenge, and Retaliation in Stree (2018) and Bulbbul (2020).” Quarterly Review of Film and Video, 2022. https://doi.org/10.1080/10509208.2022.2105623 Katju, Manjari: ,The Politics of ’Ghar Wapsi’.” Economic and Political Weekly, 50. evf. 1, 2015, 21-24. Khanna, Rakesh — Bhairav, Furcifer: Ghosts, Monsters and Demons of India. London: Watkins, London, 2023. Khurana, Suanshu: , Manoj Muntashir Shukla - Adipurush dialogue writer whose politics has come full circle to haunt him.” Indian Express, 2023. junius 23. https:// indianexpress.com/article/opinion/columns/manoj-muntashir-shukla-adipurush-dialogue-writer-8682287/ Kumar, Anubha: Provincialising Bollywood: Bhojpuri cinema and the vernacularisation of North Indian media. Glasgow: University of Glasgow, Glasgow, 2015. Kumar, Priya: Limiting Secularism. The Ethics of Coexistence in Indian Literature and Film. University of Minnesota Press, Minneapolis, 2008. Kumar, Anubha: „Between Ramgarh and Bambai The Leftover Geography of Bhojpuri Cinema. In Translation.” Summerhill ILAS Review, 24. &vf., 1, 2018, 59-64. Lichtner, Giacomo - Bandyopadhyay, Sekhar: „Indian Cinema and the Presentist Use of History: Conceptions of „Nationhood” in Earth and Lagaan.” Asian Survey, 48. evf., 3, 2008, 431-452. https://doi.org/10.1525/as.2008.48.3.431 Lutgendorf, Phillip: Allin the (Raghu) family: a video epic in cultural context. In Babb, Lawrence A. - Wadley, Susan S. (szerk.): Media and the Transformation of Religion in South Asia. University of Pennsylvania Press, Philadelphia, 1995, 217-253. https://doi.org/10.9783/9781512800180-014 Lutgendorf, Phillip: „ASuperhit Goddess. JaiSantoshi Maa and Caste Hierarchy in Indian Films.” Manushi, 131. évf., 2002, 10-16. Lutgendorf, Phillip: Bending the Bharata. In Heidi Pauwels (szerk.): Indian Literature and Popular Cinema: Recasting Classics. Routledge, London és New York, 2007, 19-41. Madhok, Divya: ,,The future of Indian television lies between Naagin and Narcos.” Quartz India, 2017. aprilis 3. https://qz.com/india/947967/ekta-kapoors-alt-balaji-the-future-of-indian-television-lies-between-naagin-and-narcos/ Mahaprastha, Arvind Alok: „Ihe History of "Love Jihad’: How Sangh Parivar Spread a Dangerous, Imaginary Idea.” The Wire, 2020. november 20. https://thewire.in/ communalism/love-jihad-anti-muslim-history-sangh-parivar Majumdar, Neepa: , Doubling, Stardom, and Melodrama in Indian Cinema: the ’Impossible’ Role of Nargis.” Postscript, 22. évf., 3, 2003, 89-103. 126
